A Quote by Wayne Dyer

So, it's really about modeling it and letting people know you are an inspired person, a person who is in spirit, and then those forces that Carl Jung called synchronicity begin to show up and, lo and behold, the universe provides for you.
A lot of artists I like end up being queer. Or maybe it's a subconscious thing that you can identify of, like, 'Oh this person understands the nuances of the romantic narrative of a queer person, or the social narrative of a queer person.' And then you discover, lo and behold that they are a queer person.
Synchronicity is a term used by Carl Jung to describe coincidences that are related by meaningfulness rather than by cause and effect.
When someone new comes into your life and suddenly you feel more alive, more beautiful, more sexual, more creative, more desirable and more engaged; you feel that this new person is the key to those feelings. But actually, you have these qualities too. What you don't see and don't acknowledge in yourself, you project onto someone else. Carl Jung explored this very well. He called it projection.
I was always the best athlete, people don't know that. But I was successful at everything I ever did and then I run for president, first time - first time, not three times, not six times. I ran for President first time and lo and behold, I win. And then people say oh, is he a smart person? I'm smarter than all of them put together, but they can't admit it. They had a bad year.
My way in for photographing people is really their work. I'm always interested in what people make, and then I photograph the person. Sometimes the person is a disappointment. But that's the risk. It informs me a lot about the character of a person if I know their work first.
Lo and behold! God made this starry wold, The maggot and the mold; lo and behold! He taught the grass contentment blade by blade, The sanctity of sameness in a shade.
I think that, like anything, people take their image and what they want somebody else to be and then people just run with it. And when you really know the person and really love the person, you recognize that that person is nothing like that.
I'm not one of those people that has to look myself up every five seconds to see what people are saying. That's been really helpful. I mean, you get thousands of compliments, and then one person will say something negative - and that's all you'll remember, that one person.
Sometimes when I'm in the editing room and there's a new person there, like a music editor or a post person that I don't really know, I'm like, 'Oh, you shouldn't be in here. This is too personal - you can't watch this.' But then I'm like, hey dummy, you're about to show this to the whole world.
As a teenager growing up in Europe, I embraced the romantic ideal. For me, I had to give up the ideal that one person would be there for everything. Once you give up that ideal, then you begin to accept the person that you are with - the person who won't be able to give you everything and who won't be able to know exactly what you want and feel without you even needing to say it.
I think a lot of people try to edit themselves out and I think that's a big mistake, because the person being interviewed is responding to a person, and if you don't know who that person is then you don't really know what's going on with the person being interviewed.
I think Carl Jung said, you know, I'm gonna paraphrase it badly, but, so much of what we fall in love with in other people is a potential in us that's ready to be realized. We're projecting onto them this amazing thing, but really it's us, and we're very close to integrating it and claiming it. If we do claim it, then we can just love somebody for who they are with all their flaws, but if we don't take that projection back, then we keep wanting them to have that. Then you just realize we're all screwed, that's how it works.
But don't forget who you really are. And I'm not talking about your so-called real name. All names are made up by someone else, even the one your parents gave you. You know who you really are. When you're alone at night, looking up at the stars, or maybe lying in your bed in total darkness, you know that nameless person inside you...Your muscles will toughen. So will your heart and soul. That's necessary for survival. But don't lose touch with that person deep inside you, or else you won't really have survived at all.
I remember when I had my show [The Chris Rock Show on HBO], I used to run my show. It was so hard to get people to bring sketches to me. No one had ever worked for a black person before. Even the black people hadn't worked for a black person. It literally took a month or two for everybody to know: I'm really running the show.
I'm a very lucky guy. I get to write music that I love, and lo and behold, people seem to really like it. I know how fortunate I am.
If you think along the lines of Nature then you think properly." from the video "Carl Jung speaks about death
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