A Quote by Wayne Gretzky
My best friend had a hockey scholarship at Ohio State, so I would get a couple of pairs at the beginning of the season and send them down to him. They practised two hours a day. He'd skate in them for three weeks then ship them back.
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The way to beat the Klitschkos is to get inside, under the jab, and bang to the body. Do that for two or three or four rounds and then the hands will come down and then you turn them over. It's like chopping a tree down. These guys try to headhunt when they fight them and that won't work. But you back them up, the younger brother especially, and he loses heart.
I skate for the fans. It's not as fun without them there supporting me. I get energy from them and I want to skate well for them. They relax me. They make me happy when I skate for them. I feel the Americans like me more and more each time I tour.
My favorite season was when I wrote every morning for three or four hours, then I would go and teach my classes at school, come home to my family and hang out with them, have dinner, and then, after everyone was tucked in, I would prepare for my classes the next day.
If I wanted to connect like I do now, I'd have to write 500,000 letters, get 500,000 stamps, send them out and wait for them all to come back. This stuff is instantaneous. I can see if someone is having a bad day and send them a smiley face and have an effect on them. It's fun, but it's also a very powerful thing.
Before a show, I usually give myself two-and-a-half hours to get ready. I prepare my shoes first. New ballet pumps can sound like tap shoes. You have to take the noise out of them by hitting them against stone. It takes half an hour to do each pair, and I can go through three pairs in one night.
In the '60s, I'd wear three pairs of eyelashes. Now they make them that thick, but back then they didn't, so you had to kind of build your own.
In an ideal world, the season would end, and the players would have two to three weeks by the beach. You'd have four to five weeks of preparation, and then you'd play the tournament.
Each of us has... all the time there is. Those years, weeks, hours, are the sands in the glass running swiftly away. To let them drift through our fingers is tragic waste. To use them to the hilt, making them count for something, is the beginning of wisdom.
A lot of times, people send me emails, and then I forget about them, or I never respond to them, or I respond to them weeks later.
As a kid, I loved Air Force Ones - but they were so expensive. I always had to save up for ages to get them. Now I can call the Nike guy and be like 'can you send me ten pairs?' and they'll be here the same day.
We have three kinds of guys on our team. We have guys that get it; they play good; they understand how to play winning football. We have some guys that are trying to get it, and they are working hard every day? We are supporting them, and we want the guys that have it to support them. Then we have some guys that don't get it and don't know that they don't get it. We are trying to replace them. We only have a couple left.
Some people - which I don't understand - kind of get mad like I'm disrespecting shoes. I'm like, 'They are sneakers, they are meant to be worn, meant to be played in.' And I hate when people use them as trophies. They are sneakers. It's one of my pet peeves. I got pairs if I don't want to wear, I will get a couple pairs of them.
Writing is a deep-sea dive. You need hours just to get into it: down, down, down. If you're called back to the surface every couple of minutes by an email, you can't ever get back down. I have a great friend who became a Twitterer and he says he hasn't written anything for a year.
I had this scholarship, two pairs of tight jeans, and a couple of hundred extra dollars, and I showed up in Oregon and went to school there.
I usually leave Reykavik for two to three weeks to go to the South Coast of Iceland where I have a small fisherman's hut from the beginning of the last century. That's where I sit down and do the actual writing. I might write for 16 hours a day or something. That's how it happens.
I wrote short stories for seven years and used to mail them out. You couldn't send them by e-mail. I called them manila boomerangs. I'd seal the self-addressed stamped envelope inside an envelope and I'd mail it off, and it would come back six weeks later with a rejection letter in it.
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