A Quote by Wayne Knight

One good thing about TV Land is you're always surrounded by people who know what they're doing, in terms of your fellow actors. — © Wayne Knight
One good thing about TV Land is you're always surrounded by people who know what they're doing, in terms of your fellow actors.
Everyone's got that frustrating thing and that's a natural feeling, but you know I'm 31 years old and I'm happy with what I'm doing. You know I'm not rich, I'm not wealthy at all but I'm happy and I'm surrounded by the people and the things that I care about and it's good.
I've always thought that when anyone receives an award for acting they should always thank their fellow actors, because the only way you're going to deliver your best performance is when you have other good actors on the set supporting you and being very present for you even when the camera is not on them.
People always said, "I can't believe you made a movie that had no script." Yeah, but here's the thing, if you've got actors who are used to that, and that's what they like to do, they're all good improvisers and they're all people that feel comfortable doing that, then you know, it's not that big of a deal. It's what you do.
TV and film are very different media with different requirements. In a TV show, you have actors and fellow writers and directors, who are interpreting your work. With a novel, you only have ink, words and your reader.
In your actor's heart, you know when you're playing well. Others may not always agree with you, but I'm always aware of when the scene is cooking or not. You have an instinct about that from years of doing scenes and plays, and I think it stands you in good stead even in the TV world.
TV is such a great medium in what it can do in terms of enlightening an audience. We can really inspire and teach people about other people. That's a powerful tool, and that's something that the arts has always been capable of doing.
My favorite actors are actors who are enigmatic and mysterious and never make the obvious choice in terms of the projects they do or who they work with or their craft. But I think that the less I know about an actor, the more chance I have of allowing their own persona to kind of slip away so I can get completely lost in the character they're playing, and the more that people think they know about your personal life, the more difficult it becomes to preserve that.
You know, making an animated movie is such a lonesome thing. You mostly don't see your fellow actors or anything. You go into your booth, you record all your dialogue. It's very much an issue of trust. You leave it all up to the director.
You always want to make sure that you're not the weak link. You're surrounded by really talented, great actors and singers, so just staying on your game is the main thing.
I think people imitate actors - things they've seen in a movie or on TV, and before you know it, they're doing something with their face or their mouth. It's from some actor they think is cool. They might not even know they're doing it, which is kind of funny.
Ninety per cent of how you learn is watching great people. When you are surrounded by good actors it lifts your performance.
The character and the actor in a long-running series slowly become one. I think there must be funny stories about actors who, in the pilot for a TV series, did some weird thing with their eyes, or some speech impediment or something, and the next thing you know, it's eight years later, and they're still doing that freaking gag.
I enjoy Modern Family very much. Good TV program. I don't know why. I just find that so many of the jokes land. So many of the actors are so great. Phil Dunphy is one of my favorite characters ever.
I love actors. Part of that is my theater background and being a writer who cares about performance. Actors have usually chosen their profession because they have a dream of doing it and they want to express something about the world. That's the same thing that I have with writing. Most of the good actors get into it for those reason, rather than for reasons of fame or fortune, or anything like that, and that's where I'm coming from, as a storyteller.
As an actor, you want to remain vulnerable. You don't want to always have all the answers and you want to be fine doing things in the moment with your fellow actors.
I keep working with fairly inexperienced directors. You know, if you have a good crew, a good cameraman, you know, I know what I'm doing. If the actors know what they're doing, we can all pull together, and it works.
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