A Quote by Wayne Newton

One night I went to see Bobby at the Flamingo. Because he was my hero, I would visit him for inspiration. — © Wayne Newton
One night I went to see Bobby at the Flamingo. Because he was my hero, I would visit him for inspiration.
Bobby would drive to the net injured, he would drive to the net hurt. He played that way every night. He told Bobby that he was the one who made him famous.
Just as I went into politics because Joe died, if anything happened to me tomorrow, my brother Bobby would run for my seat in the Senate. And if Bobby died, Teddy would take over for him.
When I was working at the Flamingo I took slides of people standing in front of the Flamingo with the highway behind them. Across the street you can see these tumbleweeds. That is now Caesars Palace.
My dad is a writer, and to see him always in front of a typewriter gave me the inspiration to write. He was my idol, my hero. I wanted to be just like him.
Milt was one of the men who discovered Bobby Orr. He once said that if a player comes along who is better then Bobby Orr, may the Good Lord let me be alive to see him because he is going to be one hell of a player to watch. Enough said.
After school, my mom would pick me up and I would just go to visit my dad in the recording studio, and I would see him working with Mark Hamill or hear him doing the 'Transformers' or a 'G.I. Joe' or the 'Rugrats.'
Job's friends chose the right time to visit him, but took not the right course of improving their visit; had they spent the time in praying for him which they did in hot disputes with him, they would have profited him, and pleased God more.
Figo was my hero. Then he joined Madrid. Barca fans hated him for that. It was impossible for him to be a hero any more, but now that I'm a professional, I see things differently.
As a kid, my dad would take me to see indie films when I would visit him in New York. Films that I just wouldn't see growing up in the Bay Area.
It concerns me when I see a small child watching the hero shoot the villain on television. It is teaching the small child to believe that shooting people is heroic. The hero just did it and it was effective. It was acceptable and the hero was well thought of afterward. If enough of us find inner peace to affect the institution of television, the little child will see the hero transform the villain and bring him to a good life. He'll see the hero do something significant to serve fellow human beings. So little children will get the idea that if you want to be a hero you must help people.
A man can be a hero if he is a scientist, or a soldier, or a drug addict, or a disc jockey, or a crummy mediocre politician. A man can be a hero because he suffers and despairs; or because he thinks logically and analytically; or because he is "sensitive"; or because he is cruel. Wealth establishes a man as a hero, and so does poverty. Virtually any circumstance in a man's life will make him a hero to some group of people and has a mythic rendering in the culture - in literature, art, theater, or the daily newspapers.
I don't think you ever stopped Bobby Orr. You contained Bobby Orr, but you never stopped him. When we played the Bruins and Bobby had to give up the puck, it was a good play.
Because he's the hero Gotham deserves, but not the one it needs right now. So we'll hunt him. Because he can take it. Because he's not our hero. He's a silent guardian, a watchful protector. A dark knight.
Bobby Riggs was one of my heroes. I admired him. That's one of the reasons I beat him - because I respected him.
I don't want to be considered a hero.... Imagine young people would grow up with the feeling that you have to be a hero to do your human duty. I am afraid nobody would ever help other people, because who is a hero? I was not. I was just an ordinary housewife and secretary.
When you see the violence of Hollywood movies, there is a tendency that the hero is combating and confronting many people, without much harm to himself. But in my films, the hero takes a lot of hits so the very act of the hero being the one on the receiving end, makes the audience cheer and connect with him.
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