A Quote by Wayne Rogers

Those differences are what color the performance, but in the movies you don't get a chance to rehearse. — © Wayne Rogers
Those differences are what color the performance, but in the movies you don't get a chance to rehearse.
In the theater you rehearse in order to do the performance. And in the movies the rehearsal and the performance are kind of the same thing. You're figuring it out and hopefully the camera is pointed at you when you're doing it.
My life is a performance for which I was never given any chance to rehearse.
In TV, it is important to get everything on film as fast as possible. You rehearse every day of the week, and each day, the performance may be changed. The process is more result-oriented than in the movies. It's more about working quickly.
I don't rehearse a lot. I try to keep it organic. Even in movies, the less I rehearse, the better I am.
My hope is to see people of color in roles that do not emphasize race. Often times when movies are centered around people of color, they are movies where the storyline is based on some racial component. I want to see movies where people of color play more interesting, nuanced characters.
The Role of Deliberate Practice in the Acquisition of Expert Performance”: “The differences between expert performers and normal adults are not immutable, that is, due to genetically prescribed talent. Instead, these differences reflect a life-long period of deliberate effort to improve performance.
When you're doing a film and the majority of the film is cast black, for me, it's most important to get people to view those movies as just movies, as just good movies. At the end of the day, regardless of the color of the cast, we're all doing the same thing in this business: trying to make a good film.
Color is a powerful physical, biological, and psychological force. When less color and less intense color is present, trace amounts and subtle differences become highly significant and are strongly felt.
You could make the most beautiful film, and that weekend it's raining too hard on the East Coast, and no one goes out. Artists should have a chance to do it again. That's the challenge: Women artists don't get a second chance. People-of-color artists don't get a second chance. You're put in director's jail, and that's a wrap.
You get one chance to do something about native title. You get perhaps one chance in your life to do something about a republic. You get one chance, your chance, to build a piece of the political architecture in the Pacific. I wasn't going to give those up.
My background with Cummings was rehearse, rehearse, rehearse, but Tuesday liked to walk in and do the scene. I must say that she was really wonderful. Aggravating, but wonderful.
And at the same time, you are of course a performer, but it's very important that you understand that your role as a performer is to get the best performance from those wonderful colleagues that you have the chance to work with.
Unlike the book, with a documentary, you get a chance to show much more texture and color. Film gives you get a chance to focus on much more individuals who are pivotal in changing the landscape of American culture.
Develop the winning edge; small differences in your performance can lead to large differences in your results.
On stage, you rehearse for five weeks, and it goes out to 300 people. In 'EastEnders,' you get ten minutes to rehearse, and seven million people watch it!
The real differences around the world today are not between Jews and Arabs; Protestants and Catholics; Muslims, Croats, and Serbs. The real differences are between those who embrace peace and those who would destroy it. Between those who look to the future and those who cling to the past. Between those who open their arms and those who are determined to clench their fists.
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