A Quote by Wayne Static

I have my own thing that I do really well, but it's not singing. It's more of a screaming-type thing. — © Wayne Static
I have my own thing that I do really well, but it's not singing. It's more of a screaming-type thing.
On the show [the Voice] I obviously wasn't allowed [singing my own original music], because it's not that type of show. I think it's really cool that I get to do my own thing now.
[T]he one thing I want for you is to recognize when you are really singing in writing practice and honor that. Trust that. When you were screaming on the page. Maybe that doesn't make a whole book but that is the true seed.
My wife really pushed me in that direction, to write my own songs and start singing, so I think having the whole family thing is such a huge thing.
I think the transition between singing covers on a reality show to being able to do my own thing was really exciting. I'm no longer singing covers every second, and people are actually getting to hear my own original music.
A lot of people when they try to sing Skid Row songs, they're screaming and yelling too much. It's more singing than screaming.
The Washed Out thing happened really quickly, and I wasn't really actively promoting the songs. I didn't think of them as any more than demos, really, and it sort of became a thing on its own.
Another hard thing that Gord Downie makes easy: singing ironically. If you don't do it right, you come off like a snarky asshole or the whole thing just falls apart on its own. He has the ability to imbue something ironic with great seriousness, which is the only way to really make it work.
I really wanted to get that dynamic on the record onto people and let them know it wasn't just a simple strumming along the guitar type of thing without ramming it down their throats so I kind of went the opposite way and sang some of the songs more quietly which allowed for the louder parts to sound as though there were more. It was the only way singing those songs made sense to me.
Church was the thing for me. The fellowship and the message that was given and singing in the choir and singing the solos and really listening to the words that you were singing and seeing how it affected people was huge for me.
In eighth grade, I wore a tie to school every day. I didn't own jeans. But it wasn't a granola thing, it was really more of an INXS thing.
Singing didn't really come naturally to me, I don't think. I had to really work at it. I just kept singing. I never was really worried about it, though, because I was writing songs, and that was the most important thing to me.
The only thing better than singing is more singing.
My son is in a band, and he’s a singer, and his vocals … they’re screaming-growling stuff … and he’s got a pretty reasonable voice. Yet he practices really hard to get the screaming-growling thing without losing that voice every five minutes. So I’m, like, “Hats off to you.”
My son is in a band, and he's a singer, and his vocals... they're screaming-growling stuff... and he's got a pretty reasonable voice. Yet he practices really hard to get the screaming-growling thing without losing that voice every five minutes. So I'm, like, 'Hats off to you.'
It sounds really corny but every film that you do is its own journey, it's its own experience, it's its own thing. Often you think it's going to be one way and then it goes another way - you think you can chart a character and then other things happen. That's the amazing thing about our jobs, it's constantly changing and it's extremely dynamic and you therefore have to be dynamic as well.
A lot of people have problems thinking of you doing more than one thing. If you do one thing, then you couldn't possibly do another thing well. Of course, we know that's not so.
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