A Quote by Wayne Static

All of my records have their own vibe, depending on what was going on in my life. — © Wayne Static
All of my records have their own vibe, depending on what was going on in my life.
I will sing their praises, I'll sing Donald's [Trump] praises and Marco's [Rubio] praises and everybody else's praises. But I'm going to keep the focus on substance and records. And there's a reason why they scream "Liar." Because when you point to their own records, their own voting records, their own words, they don't like their records because their records are inconsistent with what they're running on.
I like how our records go from super poppy to heavy then electronic, and next I'd like to make a bunch of records where each of them has a distinct vibe to it.
My records are borderline dance records. They've got a real electro-rock heart and soul, and the vibe of the sentiment is pop, but there's a lot of people that were like, 'This is a dance record.'
I've never had anybody produce my records. I've always produced my own records. I've worked with a guy for a while who was an engineer who helped me produce records, but I've always made my own records. I'm a control fanatic. I've got to control everything.
We had incense and rock'n'roll posters, and we sold records and rolling papers. People could just, like, hang out. We had a cool vibe going.
The range of genre that we is very diverse, which makes for a fun and multi-dimensional show, but creating something that flows, depending on what kind of vibe the show is going to be [loud dive bar, small theatre, festival] is a bit of an art a haphazard art at times.
I find with records, they become what they're going to become. They take on a power and a direction of their own. Part of making records is to honor that and not try to force it.
Everything has it's own vibe. Every song has a different place, I guess, of where and when and what was going on and things of that nature.
I come home from work, and depending on the day or depending on what was going on, if I needed to adjust, I'd just meditate or play guitar or watch some 'Monty Python.'
It's just a whole different vibe with improv. As an actor I just kind of exercise within my environment and adjust depending on where I'm at.
There can be moments in your life where you may feel attracted to someone depending on circumstance, depending on the person of one gender or another, and sometimes where that is less of an influence in your life.
I was going to tape some records onto a cassette, but I got the wires backwards. I erased the all of the records. When I returned them to my friend, he said, "Hey, these records are all blank."
The meaning of an artwork is changing depending on who's looking at it - depending on what culture, depending on what time, and so forth. It's alive.
Most Americans don't even understand what I'm saying in my records, but they pick up on the vibe, the vibration.
My dad would play me all of these records: Miles Davis records, John Coltrane records, Bill Evans records, a lot of jazz records. My first exposure to music was listening to jazz records.
I own records that have the power to make me cry. Records to be by or with - truly precious possessions. It is the ambition of the Midnight Runners to make records of this value.
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