A Quote by Wayne Static

For singers and drummers, you've really gotta have your chops together just to do a rehearsal. — © Wayne Static
For singers and drummers, you've really gotta have your chops together just to do a rehearsal.
To women, drummers seem like these adorable, sexy Neanderthals, but lead singers seem mysterious and dangerous. So while the lead singers all want to be David Bowie, floating into parties and being the center of attention, it's the drummers who are in the corner doing keg stands and breaking tables. Usually it's the drummers who get the fun-loving ladies and the singers who get the nutcases.
To women, drummers seem like these adorable, sexy Neanderthals, and lead singers seem mysterious and dangerous. So while the lead singers all want to be David Bowie, floating into parties and being the center of attention, it's the drummers who are in the corner doing keg stands and breaking tables. Usually it's the drummers who get the fun-loving ladies and the singers who get the nutcases.
I'm very influenced by jazz drummers. I always liked drummers like Roger Taylor, Keith Moon, Ian Paice, John Densmore. I just learned from playing to those drummers.
Drummers shouldn't just think of themselves as drummers. If you're going to be a musician, you should expand your horizons, compose things, and work with other instruments.
You'd be surprised. Drummers ape each other. The way every rock n' roll record sounds like something else but not all together. Everything other drummers play, if you're playing drums, they all hear.
I just became obsessed with looking for new singers, unknown singers, people that maybe have been forgotten, and really checking them out and analyzing what they do - and obsessive listening. I think that's the core of my work on music - has been just listening to things and listening to singers.
I really like working with drummers, I like being able to bounce ideas off drummers.
When you come into a pre-existing situation, you gotta have your own thing going. You gotta be really strong about it, and you gotta look at the older material in an aggressive way - 'I'm gonna make this mine somehow.' You need to put your imprint on the situation that you're in.
To have everything written for you It's not really creating. That's why I think symphony drummers are so limited. They 're limited to exactly what was played a hundred years before them by a thousand other drummers.
To have everything written for you... It's not really creating. That's why I think symphony drummers are so limited. They 're limited to exactly what was played a hundred years before them by a thousand other drummers.
I'm a big fan of rehearsal. I'm famous for pulling the cast together, not so much to formally rehearse, but just to run the lines. My theory of acting is that it takes all your attention just to stay in the moment, and keep your attention on the other person, and get him to do what you want him to do.
The thing that makes you a good 'Caraoke Showdown' singer is you gotta have some knowledge of these songs. You gotta be ready to attack. You gotta shut your brain off and just go.
Eventually, the more I listened and became obsessed with singers, I feel like the more I realized that I had my own little thing that I could do. So this is why I just became obsessed with looking for new singers, unknown singers, people that maybe have been forgotten, and really checking them out and analyzing what they do.
As far as drummers are concerned, when I was a child growing up I was really attracted to artists like Gene Kupra and Louis Bellson and Buddy Rich; a lot of the drummers that played in the popular big bands of the '40s. I would listen to their records.
A lot of people don't really understand what rehearsal's about. People are afraid they're gonna leave it in the dressing room, or you're gonna shoot your wad in rehearsal.
I think we did our first session in 1958. There were no black background singers - there were only white singers. They weren't even called background singers; they were just called singers. I don't know who gave us the name 'background singers,' but I think that came about when The Blossoms started doing background.
This site uses cookies to ensure you get the best experience. More info...
Got it!