A Quote by Wayne Static

Back in the Eighties, I used to write ballads on my acoustic guitar, so it seems very natural to me to go back to a little singing. — © Wayne Static
Back in the Eighties, I used to write ballads on my acoustic guitar, so it seems very natural to me to go back to a little singing.
I've sung since I talked, when I'm two, but what I sang was ballads, because it's very hard to do a dance track with your little acoustic guitar when you're a kid.
It's interesting to see how acoustic guitars are emerging as a primary instrument once again ... reminds me very much of what Jim Messina and I were doing back then. You can't get too far away from an acoustic guitar
There happened to be guitar classes at the college, and there was a guitar teacher there with whom I used to play. In addition, I also would go out into country schools and teach little kids basic guitar and singing a few times a week.
With Twitter and Instagram and all of these vehicles where fans can directly interact with you and get your attention, there's a little bit of an entitlement. Like, "Why won't you follow me or write me back?" Well, if I write you back, then I have to write everyone back.
I got a toy guitar at a fundraiser and was trying to write songs with it that were ridiculous. After a week, my parents bought me a real acoustic guitar, and I started taking guitar lessons.
My stuff was more of a folk coffeehouse thing, with more acoustic guitar, just me doing a single, and then adding on instruments and voices, with emphasis on lyrics and singing and light kind of acoustic jazz.
When I was small, my parents came back from Tijuana, and my dad bought me a very small acoustic guitar. I loved it. I started making up my own songs right away.
It all started in a local park in El Paso called Madeleine Park. At a ditch, a very small ditch, that everybody used to go skateboarding in. It was me and Jim Ward and an acoustic guitar. He and I constructed the very first phases of At The Drive In.
The classical guitar has a dynamic to it unlike a regular acoustic guitar or an electric guitar. You know, there's times when you should play and there's times when you gotta hold back. It's an extremely dynamic instrument.
I've always been an acoustic guitar player, and I've pretty much continued to play acoustic guitar throughout all of the Sonic Youth periods. My material for Sonic Youth often started on acoustic guitar.
I even played bass for a while. Besides playing electric guitar, I'd also get asked to play some acoustic stuff. But, since I didn't have an acoustic guitar at the time, I used to borrow one from a friend so I could play folk joints.
It's a natural phenomenon that when you hit as a little kid, as a teenybopper, we'll call it, everybody who used to like you back in that period of time grows up and they leave you back there.
I write on the acoustic guitar, I write some on the piano, but I've been messing around with these guitar pedals and drum machines, educating myself in that world.
I think it's always been very natural. I don't write a diary - it's reflections and thoughts and feelings that come to me at a certain point, and when I go back to my old records, they capture the time I was in then.
If I were not a black artist but I was still singing, playing guitar, and singing ballads that are spiritual and cerebral, I'd be easier to market because people accept that from white female singer-songwriters faster.
I was chubby in high school. I used to go to my information technology class, and I would type really fast to get the lesson done quick because the teacher had a little acoustic guitar, and there was a girl I had a crush on in the class. I would take the guitar and pretend to be some great singer-songwriter, serenade her with joke songs.
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