A Quote by Wayne White

Once the cameras rolling or the audience is in the seats, I'm on. I can't help it. I go into a trance. — © Wayne White
Once the cameras rolling or the audience is in the seats, I'm on. I can't help it. I go into a trance.
Sometimes the character will go into a completely different direction than I expected once the cameras start rolling. That's what I love about what I do.
Oh, Raima and I gel very well on screen. Our natural sibling camaraderie is evident once the cameras started rolling.
Because of the tension and difficulty, I remember trying to do the silliest things when we weren't rolling cameras, anything to lift the spirits. But once on set, it was important to have full concentration.
The world of the stage and the performance on the stage usually does not tend to translate very well - it doesn't tend to hold very well - once cameras are on it; it's not like it's terrible or embarrassing or bad anything, but, I, as an actor, would perform a role differently for an audience than I would for just cameras.
Some things can be hidden on TV with the help of cameras but in theatre, you are seen live by the audience, so you can't get out of your character.
I think there are two different types of people in television. There are people who can turn it on like a switch when the cameras go on, and then, when the cameras go off, they kind of lower it down a little bit. And then there are people who are on all the time, no matter if the cameras are there or not.
It's all about his determination. You never, ever, give up once you start something, once you're on the trail of something you don't stop and that's what you have to go through when you're making a movie too. Once the train's rolling, you have to stick with it.
While once it was the rank and file that cheered with all the partisan passions at their heights, today it is the party leaders who are cheering themselves; and all by themselves. The mob that is their audience is in one vast universal trance, thinking about something else.
Life ain't no rehearsal, the cameras always rolling.
Unless cameras were rolling, I was pretty much not Danny Tanner.
In the theater there are 1,500 cameras rolling at the same time - in the cinema, only one.
We had the guys from X Men 2 do the cameras. They had a 360 camera that would go from one car, up in the air and over to another car in a continuous shot while the film was still rolling, going 90 mph.
I go from pub to pub, or jumping on buses or stopping cars. I don't need a TV audience. Every time I go naked, all of a sudden TV cameras pop up around me.
Stunts are my favourite - I love it: the feeling, the adrenaline when all the cameras are rolling and everyone is watching and crowd round.
Ruth Montgomery had a book I was reading called Aliens Among Us. She was an automatic writer. She used to go into a trance, and she would just start typing information, and then she would come out of her trance and read it and go, "Wow," and that was just the way she wrote her books.
We played Carnegie Hall, and that was one time where I felt... Carnegie Hall as a legendary, very venerable place to perform. I'd never heard of anyone going into the Hall and kind of standing on the seats and playing throughout the aisles and having the audience stand on the seats. So when we did that in 2013, even for me it was a shock.
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