A Quote by Wayne White

Exposing something that's painful or raw or not so pleasant. That seems to be the dramatic motor of documentaries, exposure. — © Wayne White
Exposing something that's painful or raw or not so pleasant. That seems to be the dramatic motor of documentaries, exposure.
For the moment all discipline seems painful rather than pleasant; later it yields the peaceful fruit of righteousness to those who have been trained by it.
My documentaries have always been very much constructed in the spirit of dominant cinema. From the time I started making non-fiction, I was mainly interested in designing and creating documentaries like fiction, so it was a natural evolution to try and embark on doing a dramatic narrative.
There's so many documentaries out there right now and everything's exposing wrestling.
Maybe my movie isn't over, I say, because sometimes moviemakers trick the audience with a false bad ending, and just when you think the movie is going to end badly, something dramatic happens, which leads to the happy ending. This seems like a good spot for something dramatic to happen, especially since it's my birthday.
I'll never get used to living without Mo, but the painful things that surround what happened to him aren't so painful any more-not so raw or so new.
I'll never get used to living without Mo, but the painful things that surround what happened to him aren't so painful any more - not so raw or so new.
I love the idea of documentaries. I love seeing documentaries, and I love making them. Documentaries are incredibly easy to shoot. The ease with which you can hear something's going on, somebody's going to be somewhere: That sounds so interesting. Pick up your camera and go.
The luxury that I have is I'm not career-minded, I just live from one film to the next. For a time, I was making documentaries, and all my documentaries were winning awards and stuff, and then I lost interest in documentaries.
For me, photography is not just about exposing film, it's about exposing the viewer to something new, a place they haven't gone before, but most importantly, to people that they might be afraid of.
I'm not one of those people who sees documentaries as a stepping stone to doing fiction. I love documentaries and watch tons of documentaries. But, I like fiction films a lot, too.
It is impossible to meet God without abandon, without exposing yourself, being raw.
Resentment is, in every stage of the passion, painful, but it is not disagreeable, unless in excess; pity is always painful, yet always agreeable; vanity, on the contrary, is always pleasant, yet always disagreeable.
We had a great dramatic society in school, and that's where I first got exposure both as an actor and director.
I have spent my life on the road waking in a pleasant, or not so pleasant hotel, and setting off every morning after breakfast hoping to discover something new and repeatable, something worth writing about.
Non-fiction or documentaries can tell any kind of a story because they don't have to adhere to the rules of what's possible. When you're making something up, you have to say, 'Well, this is what would happen here,' but in reality, stuff happens that seems impossible.
It seems mutants have something in their lives called gravy. They know truth, but it is buried under thickening and spices of convenience, materialism, insecurity, and fear. They also have something called frosting. It seems to represent how they spend almost all the seconds of their existence in doing superficial, artificial, temporary, pleasant-tasting, nice appearing projects and spend very few actual seconds of their lives developing their eternal beingness.
This site uses cookies to ensure you get the best experience. More info...
Got it!