A Quote by Wayne White
I am very suspicious of cameras and dramatic interpretations and the whole Hollywood myth-making process. I don't trust it. I've seen it affect people in bad ways.
Related Quotes
I think the biggest challenge we faced in making 'The September Issue' was the fact that people in the fashion world are very suspicious of cameras. They're used to a camera being the enemy, something that is prying and looking to catch you in a compromising position, something that's judging you.
People talk about Hollywood as a myth, but in reality, when you make Icelandic movies and you want to get them distributed in the U.S., you're not really working with Hollywood. The movies I've been making, the first one I made, I made it with Working Title, but it was financed through Universal, so it became a Hollywood production.
I've never seen myself as a spokesperson. I've always seen myself as a worker and am very grateful for the trust that my own people have given me over the years.
You're collaborating with people you don't even know, when you're making a film. You're collaborating with people you've never seen. So, the collaborative process is very, very different than when you're collaborating on a record with the musicians you've worked with all your life.
I am very fortunate to work with people I have seen on the screen so many times and admired, and they are in the public eye, and I have seen how they handle it. There are definitely ways to just keep on enjoying the profession and the work. Other people tell me that things are going to change.
I feel like if Hollywood can stretch for inclusion and intersectionality, and being intentional with its intersectionality, that that can ripple out past Hollywood into whatever industry and kind of affect society as a whole.
Solar flares affect our everyday lives in all kinds of mundane ways. They affect satellites, they affect our emotions, and so on, but they also affect the nature of the light that is coming to us, which is kind of the way that the DNA unfolds. And on those levels hardly anyone really understands all of this, and I don't either. I just know that what is going on in the Sun is very important.
I am a fairly mongrelized person - you know I've been a migrant my whole life, and it's hard to think of myself as any pure one thing. And so I take it, I guess, very personally - this notion that migrants are bad and that mixing is bad and that people from other places are bad.
Looking back, I think we were very much a part of democratizing music, and we wanted to demystify the process of making music - to show it's a myth.
'Sholay' can be given so many interpretations. I have seen this film so many times since the time I was a kid that I think that there could be 50 lovely interpretations to this film. Different filmmakers can give it so many interpretations, as it's a lovely film.
I am very suspicious of people.
I don't think existence wants you to be serious. I have not seen a serious tree. I have not seen a serious bird. I have not seen a serious sunrise. I have not seen a serious starry night. It seems they are all laughing in their own ways, dancing in their own ways. We may not understand it, but there is a subtle feeling that the whole existence is a celebration.
Ideology is the sterner face of myth and we're a myth-making people.
It's worth being suspicious of writers - or anyone! - who does that myth-making thing. There's always a tendency to retrospectively impose structures on a life. Life as it's lived has a far more complex shape.
Making one brilliant decision and a whole bunch of mediocre ones isn't as good as making a whole bunch of generally smart decisions throughout the whole process.
I am sustained by a sense of the worthwhileness of what I am doing; a trust in the good faith of the process which created and sustains me. That process I call God.
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