A Quote by Wednesday 13
I just wanted to do my own thing after The Murderdolls. The Murderdolls were so spread out all across the US that we couldn't just say, "Let's go rehearse." For us we had like four days to rehearse because everyone had to book flights, so we just never got as tight as most bands should be.
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I never go to the Grammys. I just never go. I don't know if I care enough, and I went because my son wanted to go, and they asked us to present Best Hip Hop Group of the Year. You know, we had two records from Compton in there, and it was just like a cool thing to do, and to do with your son, and it was just cool. But we was the first award up, so after I did my thing I just jumped in the car and came on back home.
Miss Fontanne and I rehearse all the time. Even after we leave the theater, we rehearse. We sleep in the same bed. We have a script on our hands when we go to bed. You can't come and tell us to stop rehearsing after eight hours.
Other bands in Vegas hated us because we hadn't played shows and paid our dues. Publications called us out, saying we were just a put-together band, claiming we had ghostwriters. It made me so happy, the fact that everyone was hating on us so hard.
When The Murderdolls started it was a really cool thing, especially for me because I had never done anything on that scale before. Even for our drummer and bass player it was their first really big band.
I once did a role which I couldn't rehearse in my street clothes, I had to have the character's costume on before I could rehearse it. I just couldn't think as the character unless I looked like him, or I knew that I looked like him.
There's stuff I don't like to rehearse, really emotional things, I don't like to rehearse. You just beat it to death.
There were days on that show where I had to go in and record a song, then I had to rehearse the dance for that song, and then I had to go and shoot a separate scene. That would be one day. So yeah, it was about the value of time and being prepared, and not to freak out.
The hardest bits of my book to read were the easiest bits to write because they were the most immediate. Probably because I had never stopped thinking about them on some level. Those bits I was just channelling and those were the most exciting writing days. The bits I found harder were the bits that happen in between, you know, the rest of living. There were whole years, whole houses, that I just got rid of.
We all, if we go with ego I go or you go ego thing, it's got to be free from all of that and just roll, because music is a spiritual thing. It's got to come through us and can't just hit us. It's got to be part of us that comes through us and goes to the people, and then they come back to us and give us more spirit.
My background with Cummings was rehearse, rehearse, rehearse, but Tuesday liked to walk in and do the scene. I must say that she was really wonderful. Aggravating, but wonderful.
What happened when you were twelve?” “Oh, Mom offered to take us all out for dinner—us girls, Dad was out of town—to celebrate, but I didn’t want to. This book I’d been waiting for had just come out, and the only thing I wanted to do was read it all night.” “My God,” I said, touching the top of her nose. “You’re adorable.
A sitcom, you rehearse for four days of the week and then you shoot it all in one night in front of a studio audience. It's like a play every week, you just shoot it over a seven or eight-day period with a single camera. I enjoy this format of show much more. I'm a feature guy. I like making movies. So the four camera thing I didn't love it that much. I found myself slightly out of my element.
I don't develop anything. I don't practice, I don't rehearse. I just go out there, and it's just amazing and unpredictable and spontaneous every single time. It's the most cultivating incredible performance that you can go and see live for the amount of money that you can see it for.
In the old days when I first was coming up, you would turn up on set in the morning with your coffee, script, and hangover and you would figure out what you were going to do with the day and how you were going to play the scenes. You would rehearse and then invite the crew in to watch the actors go through the scenes. The actors would go away to makeup and costume and the director and the DP would work out how they were going to cover what the actors had just done.
I had a headache for four days after the first Haye fight. I didn't tell anyone, I just went to bed and thought it would go. But for four days it remained. Then I got my brain scan before the second fight, and I was worried when I went for it.
I know when I go outside, there'll be a van or two and they'll probably follow us four out of seven days a week, trying to get something. But I'm just going across town and I know they're just wasting their day, so it doesn't bother me anymore.
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