A Quote by Weegee

I had so many unsold murder pictures lying around my room...I felt as if I were renting out a wing of the City Morgue. — © Weegee
I had so many unsold murder pictures lying around my room...I felt as if I were renting out a wing of the City Morgue.
The city was asleep on its right side and shaking with violent nightmares. Long puffs of snoring came out of the chimneys. Its feet were sticking out because the clouds did not cover it altogether. There was a hole in them and the white feathers were falling out. The city had untied all its bridges like so many buttons to feel at ease. Wherever there was a lamplight the city scratched itself until it went out.
At the morgue, people were so desensitized that they would eat lunch in the glass walled room adjacent to the autopsy room. A viewing room. Because it had the best air conditioning in the building. So they would eat in there and maybe somebody would come in who had been found after being dead for three days and they would say: That is the exact purple I want for those drapes in the study. They didn't miss a beat. They could eat through anything.
I got an apartment for my family so they can move out of this one-room that they were renting out from a family.
I had just graduated from Michigan State and I was working at a hospital. I was a security guard, I worked at night. Part of my job was putting bodies in the morgue and doing that kind of thing. I used to put bodies in the morgue and take them out. When I got done doing that at the hospital, in the morning I would work out before I went to sleep.
I had spent many days hungry; had slept on railway stations at times because I did not have money to pay for a hotel room... there were moments when I felt I had compromised my dignity as a human being and as an actor.
I'd begun to collect things that were lying in piles on the floor of my studio. I had run out of space, and I started to build shelves. I turned around one day and realized that that was the vehicle for carrying so many of the things that I was looking at and talking about, so they went from the walls to the works.
When I graduated, I felt a little burned out on taking pictures after so many years of churning out so many for classes.
It never occurred to me that there were so many wonderful photos that had been orphaned and were out there in the world, waiting to be found. Over time, I found a lot of very strange pictures of kids, and I wanted to know who they were, what their stories were. Since the photos had no context, I decided I needed to make it up.
In our gliding experiments we had had a number of experiences in which we had landed upon one wing, but the crushing of the wing had absorbed the shock, so that we were not uneasy about the motor in case of a landing of that kind.
The Chicago City News Bureau was a tripwire for all the newspapers in town when I was there, and there were five papers, I think. We were out all the time around the clock and every time we came across a really juicy murder or scandal or whatever, they'd send the big time reporters and photographers, otherwise they'd run our stories. So that's what I was doing, and I was going to university at the same time.
My first wedding was 15 people at our condo. The second was maybe about a hundred people at this fabulous casino. And you know what? I have almost no pictures of the second one, because I put disposable cameras on the tables, because everyone said, "The best pictures are the most candid! The best pictures are the ones people just take!" So, I put disposable cameras on the tables, and guess what? There were so many kids there that those cameras were stomped on. I had so many pictures of the floor, of people's eyes, of someone's finger.
Speaking of the murder of the younger Hanan, and other eminent nobles and hierarchs, Josephus says, "I cannot but think that it was because God had doomed this city to destruction as a polluted city, and was resolved to purge His sanctuary by fire, that He cut off these their great defenders and well-wishers; while those that a little before had worn the sacred garments and presided over the public worship, and had been esteemed venerable by those that dwelt in the whole habitable earth, were cast out naked, and seen to be the food of dogs and wild beasts."
When we go city by city, country by country, the majority of our hosts, our owners, are simply renting out their spare bedroom.
My fear of coming out wasn't about rejection. I was scared people would say: 'Why were you lying to me? If you've been lying about that what else are you lying about?' Lying is my biggest regret.
I grew up thinking that renting is perfectly normal. And then, strangely enough, I never did buy a house. I live in New York City, and I'm still renting. My own personal narrative shows that it is possible to live a respectable life without ever having owned a home.
I grew up on the side of the stage. I never had a fear of an audience. I never felt like they were separated from us. We were all in the living room, and it happens to be a big living room. I continue to operate on that assumption.
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