A Quote by Wendell Berry

There are, it seems, two muses: The Muse of Inspiration, who gives us inarticulate visions and desires, and the Muse of Realization, who returns again and again to say, 'It is yet more difficult than you thought.' It may be that when we no longer know what to do, we have come to our real work and when we no longer know which way to go, we have begun our real journey.
It may be that when we no longer know what to do, we have come to our real work, and that when we no longer know which way to go, we have begun our real journey.
It may be that when we no longer know... which way to go we have begun our real journey. The mind that is not baffled is not employed. The impeded stream is the one that sings.
People think of me as a stereotype: muse, privileged, decorative. Classically, the muses were the inspiration. They'd come and go - they wouldn't actually make things, get their hands dirty. I don't think I'm a muse, although I think I can help pull a trigger. I really like getting my hands dirty.
Again and Again, however, we know the language of love, and the little churchyard with its lamenting names and the staggeringly secret abyss in which others find their end: again and again the two of us go out under the ancient trees, make our bed again and again between the flowers, face to face with the skies
When inspiration does not come, I go for a walk, go to the movie, talk to a friend, let go... The muse is bound to return again, especially if I turn my back!
I was Versace's muse, I was Valentino's muse, I was Alaia's muse, Lancetti's muse, Calvin Klein's, Halston's. I could go on and on.
This is the other secret that real artists know and wannabe writers don’t. When we sit down each day and do our work, power concentrates around us. The Muse takes note of our dedication. She approves. We have earned favor in her sight. When we sit down and work, we become like a magnetized rod that attracts iron filings. Ideas come. Insights accrete.
The concept of muse is alien to me. To speak of a muse implies there is a couple in which one person is the objectified passive element - there to help the creative, active, often male part of the duo to create. A muse is very passive. Who wants a muse? I don't want a muse.
I've always thought what was I before I was this and then what will I be when I leave here. I really had a hard time always accepting that at some point I'm just going to turn to dust and ashes and never be again and that the journey would stop. I believe that we are souls, kind of like a version of what our movie presents, and we come here again and again until we arrive at our highest evolution, and what happens after that I don't know.
I've said it before - and I'll say it again: it always seems to me that we come to know our same-sex parents through the bodily and the involuntary; through a kind of fossicking of our own physical strata. As we come to resemble our fathers, so we re-encounter the individual who reared us.
My idea of storytelling is - I wouldn't say it's religious but I would say it's spiritual. You know, the chemist Friedrich August Kekule worked for twenty years trying to figure out the structure of the benzene ring, and he couldn't do it. And then one night he was sleeping and he had a vision of a snake swallowing its tail. So he told his students about it and they said, 'Not bad, you go to sleep and you wake up with that.' And he said, 'Visions come to prepared spirits.' The way Billy Wilder put it was 'The muse has to know where to find you.'
I know that suffering gives us new perspectives and helps us to clarify our real value. I know that suffering has helped me to clarify my relationships ... Perhaps suffering stops us in our tracks and forces us to confront what is real within ourselves and in our environment.
And that's where our conversation went from there, than God, both of us laughing our butts off at the thought of a hoops game between two teams on intravenous fluids. Which makes absolutely no sense at all; I know that. But that's why it cheered me up, because it was so absolutely stupid. It cheered me up more than I'd ever thought I'd be cheered up again.
It's not like that when you're a songwriter - songwriters aren't like pulp writers or journalists, even. You just follow the muse. It's called muse-ic. Whenever the muse decides to bestow her inspiration on the songwriter, then the song is born.
Duality is the real root of our suffering and of all our conflicts. All our concepts and beliefs, no matter how profound they may seem, are like nets which trap us in dualism. When we discover our limits we have to try to overcome them, untying ourselves from whatever type of religious, political, or social conviction may contain us. We have to abandon such concepts as 'enlightenment', 'the nature of the mind', and so on, until we no longer neglect to integrate our knowledge with our actual existence.
It's a multi-billion dollar industry run by our family. That gives us some real unique advantages. We know our sport and our industry better than anybody else. We have the values from the original days. We understand how our stakeholders win and lose in a big way. So I think gives us an advantage to be family controlled, family owned.
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