A Quote by Wendell Berry
and in some of the people of the town and community surrounding it, one of the characteristic diseases of the twentieth century was making its way: the suspicion that they would be greatly improved if they were somewhere else.
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Modernism really started with people getting infatuated with the idea of "it's the twentieth century, is this suitable for the twentieth century." This happened before the First World War and it wasn't just the soldiers. You can see it happening if you read the Bloomsbury biographies. It was a reaction to a great extent against Victorianism. There was so much that was repressive and stuffy. Victorian buildings were associated with it, and they were regarded as very ugly. Even when they weren't ugly, people made them ugly. They were painted hideously.
I'm supposed to be making comics, so I had to do it the best way I knew how, which is what those guys at the beginning of the Twentieth Century were doing.
The nineteenth century planted the words which the twentieth century ripened into the atrocities of Stalin and Hitler. There is hardly an atrocity committed in the twentieth century that was not foreshadowed or even advocated by some noble man of words in the nineteenth.
The humanities and science are not in inherent conflict but have become separated in the twentieth century. Now their essential unity must be re-emphasized, so that twentieth-century multiplicity may become twentieth-century unity.
The great crimes of the twentieth century were committed not by money-grubbing capitalists but by dedicated idealists. Lenin, Stalin, and Hitler were contemptuous of money. The passage from the nineteenth to the twentieth century has been a passage from considerations of money to considerations of power.
We were idealists. We thought that when we got the vote the whole pattern of politics would be greatly improved and would be dominated by women.
The essential characteristic of the first half of the twentieth century is the growing weakness, and almost the disappearance, of the idea of value.
We may be sure that the characteristic blindness of the twentieth century [...] lies where we have never suspected it [...] The only palliative is [...] by reading old books. [...] the books of the future would be just as good [...], but unfortunately we cannot get at them.
The thriller is the cardinal twentieth-century form. All it, like the twentieth century, wants to know is: Who's Guilty?
Nineteenth- and early-twentieth-century exponents of prefabrication were certain it would supplant age-old traditions of individualized design and handcrafted construction. The building art would be revolutionized by freeing designers and construction workers from repetitive tasks, and democratized by making high-style architecture more affordable.
I always lived by railroads, and I would find places to just look at the horizon, and I always expected there was something somewhere else. And sometimes I think that's more a metaphysical somewhere else rather than just to get out of the town.
Should an anthropologist or a sociologist be looking for a bizarre society to study, I would suggest he come to Ulster. It is one of Europe's oddest countries. Here, in the middle of the twentieth century, with modern technology transforming everybody's lives, you find a medieval mentality that is being dragged painfully into the eighteenth century by some forward-looking people.
I greatly enjoyed Tom Reiss's The Orientalist, for its mingled scholarship and sleuthing, and for so elegantly solving the puzzle of one of the Twentieth Century's most mysterious writers.
It has been said that the three great develpments in twentieth century science are relativity, quantum mechanics, and chaos. That strikes me the same as saying that the three great developments in twentith century engineering are the airplane, the computer, and the pop-top aluminum can. Chaos and fractals are not even twentieth century ideas: chaos was first observed by Poincare and fractals were familiar to Cantor a century ago, although neither man had the computer at his disposal to show the rest of the world the beauty he was seeing.
Film is more than the twentieth-century art. It's another part of the twentieth-century mind. It's the world seen from inside. We've come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film. You have to ask yourself if there's anything about us more important than the fact that we're constantly on film, constantly watching ourselves.
The twentieth century had produced a literature in Ireland that kept a tense distance from the sources of faith - and for good reason. Irish writing had suffered a terrible censorship in the twentieth century.
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