A Quote by Wendell Berry

One of the strongest of contemporary conventions is that of comparing to Thoreau every writer who has been as far out of the house as the mailbox. — © Wendell Berry
One of the strongest of contemporary conventions is that of comparing to Thoreau every writer who has been as far out of the house as the mailbox.
Competition works. Ask any parent if their child will run faster from the house to the mailbox if he runs by himself or if he races to the mailbox with his sister. It's a no brainer.
I do conventions sometimes every other weekend. Whenever I have time, and it's not too far away. I get a lot of invitations (to appear at conventions) in other countries and I have to turn them down.
Kino-Eye uses every possible means in montage, comparing and linking all points of the universe in any temporal order, breaking, when necessary, all the laws and conventions of film construction.
When [Ralph Waldo] Emerson visited Thoreau in jail and asked, 'What are you doing in there?' it was reported that Thoreau replied, 'What are you doing out there?'
I do these conventions sometimes. We've been doing a lot of 'The Vampire Diaries' conventions, but I do Comic-Con and stuff all over the world. They can be taxing, and they can take it out of you a little bit, but it's just great for the fans.
In 1848, Thoreau went to jail for refusing, as a protest against the Mexican war, to pay his poll tax. When RW Emerson came to bail him out, Emerson said, 'Henry, what are you doing in there?' Thoreau quietly replied, 'Ralph, what are you doing out there?'
For most of the movies that I've done, we've shot in a contemporary house, in contemporary clothes, speaking in a contemporary way. So, I really enjoy that. It really helps.
There's a lot of people out now around America who depend on checks from their fellow taxpayers being in the mailbox every day.
I think we are in this era right now where every element in a webpage is rendered to within an inch of its life. I think if it's a button, it looks like a physical button, you know, if it's a mailbox that's meant to signal a messaging functionality then the whole mailbox right down to the rivets on the hypothetical metallic housing is rendered.
You don't want to move toward some utopian literary situation where everybody's free of all conventions. That's ridiculous! Conventions are what you need. You have nothing to break down if you don't have conventions.
We need to give out portrayal of ourselves. Every non-Indian writer writes about 1860 to 1890 pretty much, and there is no non-Indian writer that can write movies about contemporary Indians. Only Indians can. Indians are usually romanticized. Non-Indians are totally irrepsonsible with the appropriation of Indians, because any time tou have an Indian in a movie, it's political. They're not used as people, they're used as points.
My place in Chicago is a 105 year old house, but I really like contemporary spaces too, so it's refreshing and fun to be in a space where you can do contemporary things.
As a writer, you have to be near people and hear stuff. I'm a hamburger and cheese kind of fellow; I'm not Henry David Thoreau.
As Thoreau famously sead, it doesn't matter where or how far you go - the farther commonly the worse - the important thing is how alive you are. Writing of every kind is a way to wake oneself up and keep as alive as when one has just fallen in love.
I can only sign over everything, the house, the dog, the ladders, the jewels, the soul, the family tree, the mailbox. Then I can sleep. Maybe.
The problem, when comparing contemporary television to television in 1974, is that TV has become not just bad but sad.
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