A Quote by Wendell Berry
The only sustainable city - and this, to me, is the indispensable ideal and goal - is a city in balance with its countryside.
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I am from the countryside, very rural countryside, and I moved to Tokyo when I was 18 and have been living first-ever since. So yes, I am a city guy, but sometimes I sort of feel there's another me in a parallel world, still in the countryside.
Paris. City of love. City of dreams. City of splendor. City of saints and scholars. City of gaiety. Sink of iniquity.
If you're in a city where there's no clear startup community, the goal is not raise a bunch of money to fund a nonprofit; the goal is not get your government involved. The goal is start finding the other entrepreneurial leaders who are committed to being in your city over the next 20 years.
It was ironic that there I was finally painting the pictures I'd always wanted to paint and feeling very much at home in the countryside, and I ended up working in New York City, which is definitely the archetypal city.
Where a city is only focused on one aspect, it becomes a city without a soul, not a city people want to live in.
Violence and hatefulness have never been - nor will they ever be - who we are. This is the city I was born in, the city I was raised in and the city I love. Portland is also a united city.
It wasn't until I lived in the countryside that I began to understand the life of the countryside and the people in it and trees and water. Just learning about water is an education for a city person.
People tell me that the countryside must always be stupid and backward, and I get angry, as if it were said that only townspeople had immortal souls, and that it was only in the city that the flame of divinity breathed into the first men had an unobscured glow.
Our government has this three-city concept where Tirupati will be a city of lakes and a tourist destination, Amaravati a blue-green city, and Visakhapatnam a beautiful city buzzing with economic activity and jobs.
Before signing with Liverpool, I talked to Roberto Firmino about what the club is like and what the city is like. He spoke well of the club and the city and other people who have already visited the city. The information only gave me more motivation to come to Liverpool.
I had, like, two goals in my career: One was to try to get into 'Second City.' When I moved to Chicago, my goal was to try to work at 'Second City.' And beyond that, my goal was to make enough money as an actor to not do anything else but act, not have to go and wait tables again.
I believe that George Washington knew the City of Man cannot survive without the City of God; that the Visible City will perish without the Invisible City.
When I'm doing a store in a country, I always like to consider the concept of the country and the city. Ask what are the clothes of the city, what does this city represent for me?
In Bogotá, our goal was to make a city for all the children. The measure of a good city is one where a child on a tricycle or bicycle can safely go anywhere. If a city is good for children, it will be good for everybody else. Over the last 80 years we have been making cities much more for cars' mobility than for children’s happiness.
I try to balance work and play. I'm really grateful that I can kind of have that philosophy, so I can try to get out of the city as much as possible, even though I love the city and I'm not ready to leave it.
Venice is ever the fragile labyrinth at the edge of the sea and it reminds us how brief and perilous the journeys of our lives are; perhaps that is why we love it so. City of plagues and brief liaisons, city of lingering deaths and incendiary loves, city of chimeras, nightmares, pigeons, bells. You are the only city in the world whose dialect has a word for the shimmer of canal water reflected on the ceiling of a room.
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