A Quote by Wendell Pierce

I would love to see a real story about Fred Hampton. — © Wendell Pierce
I would love to see a real story about Fred Hampton.
South Hampton is the A group; East Hampton is the B group; Bridge Hampton both A and B groups; and Sag Harbor, Water Mill, Amagansett and Sagaponak the Fun Group.
I remember on page one of The New York Times the article about Fred Leuchter. The heading was "Can Capital Punishment Be Humane" and it was the story about an electric chair repairman and execution machine designer. And then buried in the back of the paper was the fact that Fred Leuchter had also been involved in holocaust denial.
The savage repression of blacks, which can be estimated by reading the obituary columns of the nation's dailies, Fred Hampton, etc., has not failed to register on the black inmates.
I was thinking about framing, and how so much of what we think about our lives and our personal histories revolves around how we frame it. The lens we see it through, or the way we tell our own stories. We mythologize ourselves. So I was thinking about Persephone's story, and how different it would be if you told it only from the perspective of Hades. Same story, but it would probably be unrecognizable. Demeter's would be about loss and devastation. Hades's would be about love.
In Memory of BPP Comrades Fred Hampton & Mark Clark, both assassinated by the US Government via the state and local government of Chicago, Illinois, December 4, 1969.
I've been a huge fan of Hal Ashby forever. And I think that the distinctive thing about 'Coming Home' is the love story, and how - kind of emotionally real it is, and how these two characters allow each other to see their - kind of vulnerabilities. And it's great because it's a love story that's not really that cheesy, either.
Fred Astaire. Not a handsome man. He said himself he couldn't sing. He was balding his whole life. He danced like a cheetah runs with the grace of the first creation. I mean, that first week. On one of those days God created Fred Astaire. Saturday maybe, since that was the day for the pictures. When you s Fred you felt better about everything. He was a cure. He was bottled in the films and all around the earth, from Castlebar to Cairo, he healed the halt and the blind. That's the gospel truth. St. Fred. Fred the Redeemer.
I probably wouldn't have done [ Fred Leuchter story] if it was just a story about an executioner or a holocaust denier, but the combination of the two elements was irresistible. So yeah, I find it strange that there are so many people out there now.
With independent film, simply because they don't have the money to make a big-budget film, they're forced to make a story that's important to them, that they would like to see on film, a personal story that people can relate to, about people, where you can see the love of the characters.
Maybe today I would call Fred Leuchter and there would be two or three other documentary filmmakers interested in his story simply because of the exposure.
Definitely, the most important part of a love story is the chemistry between the two actors because a love story is about a guy and a girl meeting and falling in love. You don't see love coming across if the chemistry is not there.
South Hampton is Jacket-With-No-Socks, East Hampton is Socks-With-No-Jacket, Bridge Hampton is Jacket-and-Socks and Sag Harbor, along with the Fun Group, is No-Jacket-and-No-Socks.
I love sitting down with my friends at dinner and actually telling them a story, as opposed to going, "Hey, did you see that thing I posted on Instagram?" For me, I would so much rather sit there and actually share a story with somebody and have somebody tell me about their trip, or things like that. I don't need to see it.
I wanted to make a real love story with a bad ending, because a love story that ends good is the life of everyone - you and I, for example. I always say to people, You know, if Romeo and Juliet got married, nobody would care about them. Imagine Romeo and Juliet, six kids yelling, mama, mama, papa, papa.
I love people and psychology. As a writer, I’m not so interested in Fred getting from the living room to the car. I want to go inside Fred’s soul and play there.
Whether it's Cyd Charisse and Fred Astaire or 'West Side Story,' see it on the big screen. That's the way we should appreciate it.
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