A Quote by Wendy Beckett

A work of art is great to the extent that to encounter it is to be changed. — © Wendy Beckett
A work of art is great to the extent that to encounter it is to be changed.
Any great art work … revives and readapts time and space, and the measure of its success is the extent to which it makes you an inhabitant of that world - the extent to which it invites you in and lets you breathe its strange, special air.
We consider Christmas as the encounter, the great encounter, the historical encounter, the decisive encounter, between God and mankind. He who has faith knows this truly; let him rejoice.
The art world is never going to be popular like the NFL, but more people are buying art and I think that's cushioning, to a great extent, our art-market cycles.
We all want recognition and validation to an extent for our art, but greatness as a trade for decency is a risky proposition. In my life, I try to leave the people I encounter with the feeling that they have been respected and treated with warmth and appreciation.
The art of reading is in great part that of acquiring a better understanding of life from one's encounter with it in a book.
You can encounter the great life within you when you recover the zero point. When you encounter that great life, all limits created by the thoughts and emotions vanish and infinite creativity springs forth.
Part of the triumph of modernist poetry is, indeed, to have demonstrated the great extent to which verse can do without explicit meaning and yet not sacrifice anything essential to its effect as art. Here, as before, successful art can be depended upon to explain itself.
Only 10 percent of people who go to art school will still be making art in 10 years. To some extent, you have to want to do it. It's hard. It is something you really have to stick with for it to work.
I don't have the education of an art historian. I've certainly read about art and look at art and have educated myself to some extent. But I'm not a skilled or thorough art historian and I wouldn't call myself an art critic.
The person who appreciates a great work of art has the feeling that the work grows in him as he becomes involved in a prolonged capturing of emerging marginal meanings. He feels that he, too, is creative, that he himself is adding to his experience and understanding. Moreover, he wants to confront the work of art many times. He is not easily tired of it, as he would be had he read a purely logical statement. He realizes that the work of art does not merely transmit information; it produces pleasure.
It is extraordinary the extent to which Darwin's insights not only changed his contemporaries' view of the world but also continue to be a source of great intellectual stimulation for scientists and nonscientists alike.
I think whatever art form you're in, whether TV, film or theater, you should know the history of who came before you and how the art form has changed or not changed and to learn from the greats.
When God spoke to Moses and others in the Old Testament, those events were encounters with God. An encounter with Jesus was an encounter with God for the disciples. In the same way an encounter with the Holy Spirit is an encounter with God for you.
In most modern instances, interpretation amounts to the philistine refusal to leave the work of art alone. Real art has the capacity to make us nervous. By reducing the work of art to its content and then interpreting that, one tames the work of art. Interpretation makes art manageable, conformable.
All truly great art is optimistic. The individual artist is happy in his creative work. The fact that practically all great art is tragic does not in any way change the above thesis.
I was very much into buying contemporary art, but I've just decided I want to get rid of it all. Not that it's not great art, but all of a sudden my mood has changed, and I want to go back to seventeenth- and eighteenth-century masters.
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