A Quote by Wendy Kopp
In every case where I've seen a transformational school, there's a principal who really has the foundational experience of having taught successfully.
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You really see life around the principals to be as important as the main, principal actors. That's what cinéma vérité taught me - that it's not a question of having a main character, a great actor, and the rest is unimportant. Every detail, every face in the crowd is important.
I'm on a lot of nonprofit boards, but if I didn't enjoy it I wouldn't do it. I haven't yet done anything that's transformational in philanthropy. But I hope at some point to target two or three causes or organizations and really make transformational gifts.
I mean, the acting school I went to, we did have a social experience, but you know, when it's a bunch of actors, it's everyone self-consciously having a social experience rather than just having a social experience.
I think I'm slightly older than the generation that was really bred on social media - I had Facebook in high school, but I was growing up in a time where these things were relatively new, and every generation below me is growing up having every single thing they do seen. And that is kind of frightening.
We are taught to want a thing. We are taught that having that thing will make us happy. We are taught that having it immediately is the answer. We are taught a corrupted version of success. And love.
There's a joke about the balloon boy who has a balloon mum and a balloon dad and he goes to a balloon school with balloon friends ad a balloon principal. And one day, the balloon boy decides to take a pin to his balloon school, which is, of course, a disaster. And he's called into the balloon principal's office, and the balloon principal tells him, 'You've let me down, you've let your school down, you've let your parents down, you've let your friends down. But most importantly you've let yourself down'.
A lot is gained through experience, but experience teaches some and not others. Effectiveness and excellence, whether or not they were attained by simply having the knack or through the school of hard knocks, is really what you want to reward.
I wanted to make an explicitly educational comic that taught readers the concepts I covered in my introductory programming class. That's what 'Secret Coders' is. It's both a fun story about a group of tweens who discover a secret coding school, and an explanation of some foundational ideas in computer science.
The most fun thing about doing the show is that, as a nerd, the fun has been in learning and having it be like a grad school for me, every day. Every moment is a new experience. Every conversation is a new gain.
A Bible and a newspaper in every house, a good school in every district; all studied and appreciated as they merit; are the principal support of virtue, morality, and civil liberty.
Six out of seven times we landed successfully [on the Moon]. I wanted to be a part of that and I was a part of that, so my personal feeling is of great gratefulness for having somehow been in a position to have been given the opportunity to be on that first landing. That's a marvelous experience for a little kid that grew up in New Jersey. So I'm very thankful, and I asked the whole world to give thanks once we successfully landed.
My parents, grandmother and brother were teachers. My mother taught Latin and French and was the school librarian. My father taught geography and a popular class called Family Living, the precursor to Sociology, which he eventually taught. My grandmother was a beloved one-room school teacher at Knob School, near Sonora in Larue County, Ky.
I was taught by my father. He was head of the primary school so I went to his school until I was 11 - I was the youngest of four daughters and we had all been taught by him. But I didn't really enjoy my secondary education that much, probably because I am a very physical person and don't enjoy sitting at a desk all day.
I'm really thankful for every experience I've had, even the ones that were puzzling or disorienting, because they taught me so much.
The MMI brothers, who provided security for Malcolm X had been trained by Malcolm himself that inside of the Nation of Islam, whenever there is a diversion, you protect the principal. The principal, in this case Malcolm, clearly was not protected on February 21st [1965].
I've been interested in art and fashion for as long as I can remember because they are so visual. I am fascinated by the idea of visual creation from the ground up, which is a challenge in ballet when the audience has seen every show of yours, every other principal that you've shared a role with, and every different production.
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