A Quote by Wendy Starland
If you follow a trend, by the time it is released it will sound like the same regurgitated music that the public has been hearing for the past eight months (at least.) I am not referring to genres or production that is considered to be timeless or "classic" sounding.
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To be honest, I'm usually totally stuck in my own bubble when it comes to the music I produce and the music I listen to, so I don't often have much of an interest about what's on trend or find myself having those conversations. I do find it interesting though, and you definitely hear batches of releases that all sound exactly the same released around the same time, and you can tell that a certain distinct type of track does especially well.
Pantera revolutionized the sound and the approach to heavy metal. It's been regurgitated. Once you up the production on a product and not just the playing but the actual production, then it's going to up the ante.
Hip-hop music in general kind of revolves around singles, and I appreciate that mindset, but at the same time, I wanted to go beyond that. It's not like I was intending to make a classic record - I mean, I'm always trying to make timeless music, but I really just tried to reference the music that on a road trip you can put in and not have to skip a track.
There are various non-statistical tools that have been typically developed by lean companies, notably by Toyota for minimizing variability in production, such as standardization, introduction of takt time, synchronization, shortening the total production lead time which I am fond of referring to as non statistical tools.
I do experiment with lots of different genres. In making music, I don't think of genre like, "I want to do this, because I'm going use that country music sound; I'm going use that hip-hop sound; I'm going use that acoustic [sound]." It's just making music. So now that I've traveled a lot more since I did Acoustic Soul, I'm sure that different sounds will come into place, because I have been exposed to it and I like it. But it's not so much of a conscience effort. It's mind and spirited. You know, we're humans.
A lot of new artists, especially girl artists, feel pressure to be so 'media perfect' and 'trained.' I'm intelligent, but I don't like hearing regurgitated answers in interviews that sound so rehearsed.
There's a lot of really inspiring music coming around the bend - we tend to believe that to sound classic or timeless is to sound vintage or retro. It's a little bit dangerous, because you'll really miss a chance to make your mark as a generation.
The music was more than music - at least what we are used to hearing. The music was feeling itself. The sound connected instantly with something deep and joyous.
When I did 'The Sound of Music' and 'Mary Poppins' and 'The Americanization of Emily,' all three were in the can and had not yet been released. So I was driving around having a fine time learning about how to make movies and enjoying myself enormously, and then they were released, and it was quite an assault, in a way.
Music, that has mostly earned a 'film music' status in our country, leaves genres like jazz, folk and classical to the niche. But, something common ties all the genres of music, the skeleton of the sounds - the instruments. Instrumentalist in our country are not given their due, at least not as much as they deserve.
I like songs that sound like classics. There are songs that might be cooler or have better production, but I like songs that sound like they're timeless.
What makes me sad in fashion is that everyone is looking for trends. A trend is one thing. Timeless is another. In 20 years, I've seen so many trends. It makes me sad when people go for the trend versus quality or vision. Or when people wear something so basic just to make sure they're considered cool, like a white t-shirt.
My goal has always been to make classic records, classic albums. Sometimes the recording process and the era it was recorded in means the production leans in a particular way, but to me they are all part of the same process.
The music I make is very underground-sounding, it doesn't sound like it goes into the charts. It doesn't sound like it's trying to fit into today's style. So I think I have already a vibrating tool to an art form that isn't the mainstream. I'm very outside of the mainstream in my taste of music.
I'm very fussy about how my records sound, but I'm very aware that because of the way they sound, I will never be a big-selling, mainstream artist because the public has gotten conditioned to hearing pop music in a certain way. And I don't do it that way.
What I'm after is a composed music that will sound like improvised music when improvisors play it. You shouldn't be able to tell what parts are being improvised and what parts were written out beforehand; it should sound like the same music.
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