A Quote by Wentworth Dillon, 4th Earl of Roscommon

The last loud trumpet's wondrous sound, Shall thro' the rending tombs rebound, And wake the nations under ground. — © Wentworth Dillon, 4th Earl of Roscommon
The last loud trumpet's wondrous sound, Shall thro' the rending tombs rebound, And wake the nations under ground.
Earth is dry to the centre, But spring, a new comer, A spring rich and strange, Shall make the winds blow Round and round, Thro' and thro', Here and there, Till the air And the ground Shall be fill'd with life anew.
…So when the last and dreadful hour This crumbling pageant shall devour, The trumpet shall be heard on high, The dead shall live, the living die, And Music shall untune the sky
Let the trumpet of the day of judgment sound when it will, I shall appear with this book in my hand before the Sovereign Judge, and cry with a loud voice, This is my work, there were my thoughts, and thus was I. I have freely told both the good and the bad, have hid nothing wicked, added nothing good.
You know, the ukulele itself is not a very loud instrument, all right? And, you know, compared to like a trumpet, right? A trumpet is really loud.
There may be no trumpet sound or loud applause when we make a right decision, just a calm sense of resolution and peace.
The last trumpet ever to be sounded shall blow even algebra to wreck.
There's nothing worse than bad scatting, except maybe bad mouth trumpet. Mouth trumpet may sound like a trumpet, but it's really more like playing a kazoo. The instant you do your solo, the audience has a bit of a chuckle.
I use a progressive alarm that makes a soft sound at first and then progressively gets louder. But I usually wake on the first sound, so it doesn't disturb my wife. When I used a loud alarm clock, I was more likely to hit it on the head and go back to sleep.
Other friends have said, "I don't understand why you've used this trumpet-style sound rather than a real one when you know you can write for trumpet." But it's most important to get the energy right.
I hate the natural sound of the trumpet, but I think I'm naturally set up to be a trumpet player. I know that sounds weird. But pretty much anytime I play a note, I'm uncomfortable in a general sense.
We shall fight for a universal dominion of right by such a concert of free peoples as shall bring peace and safety to all nations and make the world itself at last free.
But the right is more precious than peace, and we shall fight for the things which we have always carried nearest our hearts--for democracy, for the right of those who submit to authority to have a voice in their own Governments, for the rights and liberties of small nations, for a universal dominion of right by such a concert of free peoples as shall bring peace and safety to all nations and make the world itself at last free.
I am convinced that 1941 will be the crucial year of a great New Order in Europe. The world shall open up for everyone. Privileges for individuals, the tyranny of certain nations and their financial rulers shall fall. And last of all this year will help to provide the foundations of a real understanding among peoples, and with it the certainty of conciliation among nations. . . . Those nations who are still opposed to us will some day recognize the greater enemy within. Then they will join us in a combined front, a front against Jewish exploitation and racial degeneration.
I'm a trumpet player, so I always carry a pocket trumpet in case there's an opportunity to jam with the locals. I was in Guadeloupe last year filming 'Death in Paradise,' and I played all over the island and had the best time.
There's a quality to the sound of a trumpet that you can really twist for any kind of sound and mood that you want to create.
I played trumpet in the school bands. I learned things I liked to play on my trumpet, but I didn't learn why this note goes with this note and why it produces that sound. Or how to create tension in the composition.
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