A Quote by Wentworth Miller
It's very much a back and forth conversation between the fans and the writers, between the writers and the powers that be. Their opinions, especially when expressed online or via correspondence, are important and are taken into consideration.
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The new contract between writers and readers is one I'm prepared to sign up to. I've met some fascinating people at events and online. Down with the isolation of writers I say! And long live Twitter.
Fans write to us via our publisher and more than ever via the Internet, blogs and fan sites, and good writers should be actively seeking out that interaction. Gone are the days when writers are dead or hidden away in dusty attics; nowadays, you've got to get out there.
Most writers I know move back and forth between the rational and the intuitive, though there are some who approach writing very rationally, and others who claim not to think their work through.
I think there is a huge difference between writers who have very big sales, and writers who have small sales. Even writers with very high reputations, even Nobel prize winners, often sell in very low figures.
I value my correspondence with writers...I was in New York and had lunch with Oliver Sachs and compared notes with him - he is someone I really like. I love staying in written correspondence with some writers. That's enough for me.
That 'writers write' is meant to be self-evident. People like to say it. I find it is hardly ever true. Writers drink. Writers rant. Writers phone. Writers sleep. I have met very few writers who write at all.
In a way, 'Lost,' or maybe TV in general, is a kind of a contract between the writers and the viewers. And the actors - of course we have a great deal to do with it - but where the drama's made, sort of where the meeting of minds is, is between those two parties: writers and audience.
Real writers-that is, capital W Writers-rarely make much money. Their biggest reward is the occasional reader's response.... Commentators-in-print voicing big fat opinions-you might call us small w writers-get considerably more feedback than Writers. The letters I personally find most flattering are not the very rare ones that speak well of my editorials, but the occasional reader who wants to know who writes them. I always happily assume the letter-writers is implying that the editorials are so good that I couldn't have written them myself.
The never-ending competition between writers hasn't changed between 1868 and 2000. I used to belong to writers' workshops with other professionals, but that becomes impossible after a while. Everyone's on a different step of the career ladder. Jealousy doesn't have to erupt into murder and burying someone in Wells Cathedral, but it is always there.
I think I was always informally thinking about choice from when I was a very young child because I was born to Sikh immigrant parents, so I was constantly going back and forth between a Sikh household and an American outside world, so I was going back and forth between a very traditional Sikh home in which you had to follow the Five K's.
I think writers always want to be taken seriously as writers, but it's not always possible. There's a difference between persistence and banging your head against the same wall a hundred times. Sometimes it's better to look away from the wall and see what else might be available that's easier.
I think about the collaboration between writers and readers, but I also think about the collaboration between all the writers in a generation or in a country or across time contributing to this massive project of documenting and reimagining our world.
I think it's important to remember where I began. I know that when I talk to other writers, say, writers from the South or writers from abroad, it's where they begin as children that is important to them.
I think its important to remember where I began. I know that when I talk to other writers, say, writers from the South or writers from abroad, its where they begin as children that is important to them.
I admire writers who have the tenacity to write a blog, and I'm told by everyone that it's an important element in remaining visible in the online world. That said, I'm personally turned off by writers' blogs that do nothing but sing their own accomplishments.
I know a lot of crime writers feel very underrated, like they're not taken seriously, and they want to be just thought of as writers rather than ghettoised as crime writers, but I love being thought of firmly as a crime writer.
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