A Quote by Wes Anderson

You don't do background music the way a lot of more conventional films do. The music is often kind of a character in your films to the extent that sometimes you stop and watch someone perform a song.
I've been composing music for feature films since 2007. I've been creating music for films for 13 years and I totally enjoy and love doing that. However, I have a lot of music inside me which I want to share with you all in a different way.
Music actually inspires me a lot. I listen to a lot of music, and often I find that if I can associate mentally a song or a piece of music with a particular character or scene, it helps me get back into the head of that character.
I've listened to music all my life. I've always felt that music tells more stories sometimes than films, with more possibilities. Every time you listen to them, songs bring different images and moods - depending on where you are in your life, you can listen to a song and it means something different.
I've listened to music all my life. I've always felt that music tells more stories sometimes than films, with more possibilities. Every time you listen to them, songs bring different images and moods - depending on where you are in your life, you can listen to a song, and it means something different.
I know a lot of people who enjoy rap music who aren't black. You can't just say it's black music. To segregate films the way Hollywood likes to segregate films, ultimately everyone loses.
Fear is a problem with film music and films; people want to be conventional, and there's more commercialism today. If you are not daring in your art, you're bankrupt.
I sometimes cry in the moments that are not necessarily dramatic or tragic in the films, often because of the music. I wonder whether it's the music that has that effect on you in this film.
I've been making films with almost no dialogue (laughs), so sound and music become a very powerful character to tell the story. It's almost like with sound and music and images, it's your tool to tell the story, especially when I decide to structure the film in a way that usually goes against the conventions of the three-act structure which most films are made out of.
A lot of times I have the song inside of me and I have to fight to get it out. I'm a very visual person, so I can see the song but I can't hear it. But I think that if your music becomes a war for it to happen, in the end there's a certain kind of aggression in the music. And I think that's a lot more interesting.
What kills music in films is when it's done as performance, drawing attention to the fact that someone's in the background playing it.
In 'Queen,' songs were the part of events happening in the story, and that is where we enjoy music. We dance at weddings, we lip sync at bars and discos, and there are special moments in life which need background music. It should be depicted in films in the same way.
In English films, they concentrate more on background scores and the music will be the main highlight of movie. When it comes to our local language, we have comedy, emotion, hero buildups, etc., and the music for each will be different from the other.
I love music, I make films with music, I eat with music, I sleep with music, I think with music. Music makes me dream, it strengthens my creativity.
I love music, I make films with music, I eat with music, I sleep with music, I think with music. Music makes me dream; it strengthens my creativity.
Without the knowledge of music, it would be very hard to write film music. There are so many films, and each one has a different historical background and everything.
I didn't come from a background of films. I didn't even really ever watch films. The fact is, my parents weren't into that stuff, and neither was I.
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