A Quote by Wes Bentley

It's all in the writing. The writing has got to be there. Whether that's dialogue or character, or whatever, it doesn't matter. As long as they've done something special, than you can do something special.
You want to have the experience. As far as the creative side, the more I do this, the more I know that it's all about the writing. You got on a film sometimes and it's sort of half-written, and they expect and think that the actor's job is to bring the extra part and the good part. It's not. We're good at saying what other people have written, but for the majority of it, that's about it, comedians aside. It's all in the writing. Whether that's dialogue or character, or whatever, it doesn't matter. As long as they've done something special, than you can do something special.
There's something special about writing by hand, writing with a fountain pen, and there's something special about writing into a book, to take a blank book and turn it into an actual book.
There's a point I can get to where I start writing character and then through the dialogue, after all of this preparation, the thing starts to feel like it's a character developing through the dialogue. A lot of character traits do come from writing dialogue, but I have to be ready to do it.
If you ever get rich and famous, by definition you are special. You have done something special, and therefore you start to behave special. Then if the floor drops out, and you become down and out, you have a really new perspective.
I can work a lot faster when I'm writing a screenplay than when I'm writing a play because, if I'm having a problem with a scene or something, I can just be writing it in a way where there's no dialogue, or find a way to make sound do the work that I want to do or a close-up do the work that I need to do.
No matter how many people try, no matter how many fancy songwriters in Los Angeles try to break it down to a formula... to an extent, there isn't a science to writing great songs, I suppose. For me, it's always about melody - it doesn't matter what genre of music you're writing, if there's a strong melodic thing somewhere, whether that's in a vocal or in a guitar part or a sample. Something that sticks in your brain, that seems to be something that works.
Keep at something even when you don't feel inspired. Don't wait for inspiration! I write a lot of songs that are terrible, in the hopes that one song that has something special comes out of it. Just stay at something, and write every day if you're writing lyrics.
Everyone has some kind of talent, something they are good at, or something that energizes them and excites them. When you see a little spark of talent and love for something, no matter how young a person is, encourage it. Letting someone know that their talent is special and they are special, can change and determine the trajectory of a life.
I like writing dialogue - I can hear my characters so clearly that writing dialogue often feels as much like transcribing something as it does like creating it.
There is something wonderful about singing and writing music, I think there is something special about creativity and the ability humans have in that area.
When you sample something, you're using the crutch of borrowing chords and melodies from a song that's already great, that's already stood the test of time, that's already special. When you're trying to do it all from scratch, you're writing something brand new that has to stand on its own.
I think hand-drawn animation can be something really special. If the character design is quite simple it has the ability to allow people to easily relate to the characters in a special manner.
There's always a connection to be made whether you're playing a psychopath or whatever. It doesn't really matter; you've got to find this thing that you relate to with each character otherwise you're missing something.
That's something that's really rare and special and what any actor would love - to have somebody that's specifically writing for you.
Literary poetry in a painter is something special, and is neither illustration nor the translation of writing by form.
My preference is for good writing. It doesn't matter if it's for film or TV. Whatever. It starts with the writing. Even though I've had problems with writers, it doesn't matter how great of an actor you are. If the writing is bad, you're going to struggle.
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