A Quote by Wes Borland

I've always wanted to be a songwriter and a storyteller and somebody who conveys a feeling to the listener or the viewer. — © Wes Borland
I've always wanted to be a songwriter and a storyteller and somebody who conveys a feeling to the listener or the viewer.
What I never wanted in art - and why I probably didn't belong in art - was that I never wanted viewers. I think the basic condition of art is the viewer: The viewer is here, the art is there. So the viewer is in a position of desire and frustration. There were those Do Not Touch signs in a museum that are saying that the art is more expensive than the people. But I wanted users and a habitat. I don't know if I would have used those words then, but I wanted inhabitants, participants. I wanted an interaction.
I have always admired the Linking Pin theory of management specialist Rensis Likert. It says that in every organization there are leaders who link the lower level to the upper level. What makes somebody an effective link as a leader is that he conveys down everything that above wants and he conveys up everything that below needs.
I always wanted to be an artist; being a songwriter for myself was always a must but being a songwriter for others has been a bonus.
[In art] you are telling the reader or the listener or the viewer something he already knows but which he doesn't quite know that he knows, so that in the action of communication he experiences a recognition, a feeling that he has been there before, a shock of recognition.
I was born in an odd spot and was a very sensitive kid. My feelings could get hurt so easily because I always wanted to be loved, I wanted to be touched, I wanted to touch somebody. I wanted everybody to love me, so I think I was louder than I should have been. I was just trying to get attention. I always felt like I was somebody special, maybe it's because I needed to be somebody special.
Vulnerability can be empowering as a songwriter and storyteller.
I'm not a natural storyteller at all. If anything, I'm a natural interviewer, a natural listener, but I'm not a natural storyteller.
I wanted to be a songwriter.I didn't so much want to be a performer.I more grew into that just from being a songwriter.
I wanted always to be a storyteller of the fullest expression.
I wanted to hold onto and exploit the power of narrative. This is not only a book about a great storyteller, but there have to be stories about the storyteller.
The thing I love about theater is the fact that everyone's complicit. We're either there as a storyteller, or we're there as a listener, and it's basically a campfire situation.
I always wanted to be a songwriter, and it took a while.
I didn't want to be the crippled songwriter or the crippled singer. I wanted to be the singer or the songwriter who was crippled. I wanted to be larger than life and a man among men.
I was super brainy and a proper geek at school, but there would always be a boy. But that sort of obsession did turn me into a songwriter. My writing has always come from that feeling of infatuation.
I want the viewer to be overwhelmed. I want the space to feel like it is caving in on the viewer and that they are forcibly entering the world of my paintings. I want there to be a feeling of overpowering decadence to the work, that is almost too much to take. I don't want them to be subtle.
I always wanted to be known as a songwriter and not just a songbird.
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