A Quote by Wes Craven
I think I wrote the first draft of 'Nightmare on Elm Street' in '79. No one wanted to buy it. Nobody. I felt very strongly about it, so I stayed with it and kept paying my assistant and everything. At a certain point, I was literally flat broke.
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'Nightmare on Elm Street' wasn't that big. Over a long period of time it did very well, but this was different. 'Scream' didn't have a strong first weekend, and it went down the second, but then it kept going up.
I wanted to be a prosthetic makeup artist after watching 'A Nightmare On Elm Street'.
In 1984, when 'Nightmare on Elm Street' came out, not only was I twelve and couldn't get into an R movie, but I lived twenty miles from a theater. So my first experience of it was on VHS.
One name always stands out when it comes to actors taking on the monsters of our nightmares - Robert Englund. In the 'Nightmare on Elm Street' series, Englund kept us awake as night with a striped shirt and his special glove.
I wrote the first draft of my first novel at Michigan, and then I wrote the first draft of 'Salvage the Bones' at Stanford. So I workshopped the entire thing.
I really liked 'Nightmare on Elm Street,' 'Halloween,' and 'Scream.'
'The Shining,' 'A Nightmare on Elm Street,' 'Halloween.' Those are the greats.
It has not been a good day. I lost my glasses early this morning and I had to go buy a pair of 79 dollar reading glasses today. 79 bucks. You can literally get them at Costco, three-for-20.
Suzanne [Collins] was very involved in the development of the script. She wrote the first draft. She was very involved with Billy Ray, when he wrote his draft.
Horror films are the ones that pay the bills, and historically, they have shown that they are good investments. They helped Universal survive with that initial splash of horror films in the 1930s and '40s. And horror films kept New Line alive with the 'A Nightmare on Elm Street' series.
As an actor, whatever I get the opportunity to do, if it has a good story then I'm in. I thought 'Dead End' had a great story; 'Nightmare on Elm Street,' of course, was probably the first real horror film I was in.
I had the nightmare when I was like nine or ten or something, I always remembered pieces of that nightmare, the feeling from it. I've always wanted to make a horror film and so I always kept thinking about that nightmare.
When I wrote a song, it would have to be from something I was really excited about, or a melody that's been haunting me for weeks, or a message I wanted to convey lyrically. So it would have to start from something I felt very strongly about.
I calculated that if I wrote five pages a day, which seemed very doable, I would have an 1,800-page first draft when the deadline rolled around. Though completely unwritten, I was very impressed with how long my first draft would be.
The reality that we were growing up in was very young and vibrant, and nobody was capturing that part of India. I started to backpack after getting out of college. I hiked and did a lot of things nobody was capturing in art at all in India, so I wrote my first novel. It was a very, trippy, experience-filled novel, and it ended up doing very well in India because nobody was writing about that at that point.
I used to love those movies, back in the day, like 'A Nightmare on Elm Street,' 'Friday the 13th,' 'Rosemary's Baby' and 'The Shining.' I really liked those kind of movies, and I wanted to be a part of one of those kinds of movies.
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