A Quote by Wes Fesler

A family portrait is only complete with love to fill it's frame. — © Wes Fesler
A family portrait is only complete with love to fill it's frame.
In all that surrounds him the egotist sees only the frame of his own portrait.
To demand the portrait that will be a complete portrait of a person is as futile as to demand that a motion picture be condensed into a single still.
The reason that I'm an actor, or an artist, is ultimately because I'm trying to paint a self-portrait, and the most complete and beautiful self-portrait that you can.
I think about photographs as being full, or empty. You picture something in a frame and it's got lots of accounting going on in it-stones and buildings and trees and air - but that's not what fills up a frame. You fill up the frame with feelings, energy, discovery, and risk, and leave room enough for someone else to get in there.
The diagram of the house is a portrait of the family, a true portrait, whether it's sad or happy.
There's only so much room in one heart. You can fill it up with love or you can fill it with resentment. But every bit of resentment you hold takes space away from the love. And the resentment don't do no good noway, but look what love can do.
Food can fill our stomachs but never our souls. Posessions can fill our houses but never our hearts. Sex can fill our nights but never our hunger for love. Children can fill our days but never our identities. Jesus wants us to know only He can fill us and truly satisfy us.
I love signing autographs! Sometimes, when people ask me for one, I keep the photo for myself and frame it. It's a Win-Win situation really; I get an extra 25 dollars in my pocket AND another portrait for my bedroom.
I would love to have a complete family. I'd love to do it all at once. I'd love to be able to give to my children what my parents were able to give to me. And if I'm blessed to be able to do that, fantastic. If I'm not, then life goes on. You have to do the best you can. I do think we have to bring the family back; I do.
Satisfaction comes from the inside out, so people keep gravitating from things externally to try to fill something - get a man to complete them, get money to complete them, get a job to complete them and still find themselves frustrated.
When you're making a film, you have an obligation to fill the frame with life.
Even from their infancy we frame them to the sports of love: their instruction, behavior, attire, grace, learning and all their words azimuth only at love, respects only affection. Their nurses and their keepers imprint no other thing in them.
It is not likely that posterity will fall in love with us, but not impossible that it may respect or sympathize; so a man would rather leave behind him the portrait of his spirit than a portrait of his face.
Actually, the decision was not only expedient but necessary. The severity of this summary justice showed the world that we would continue to fight mercilessly, stopping at nothing. The execution of the Tsar's family was needed not only in order to frighten, horrify, and dishearten the enemy but also in order to shake up our own ranks, to show them that there was no turning back, that ahead lay either complete victory or complete ruin.
In 'Padmaavat,' you are pushed to be as good as the frame, to have a presence that lives up to the grand, operatic, intricate, beautiful frame that you inhabit. I love trying to rise to that.
A universal love is not only psychologically possible; it is the only complete and final way in which we are able to love.
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