A Quote by Wes Montgomery
If a jazz player is really playing, the classical player will have to respect him.
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I can only be me. I do what I do, I'm not a jazz player. ... I don't play jazz standards, at least not in any recognizable way. It's not my turf but I have plenty of respect for that style of playing.
I wasn't a jazz player, but a classical musician, and I improvised arrangements of popular songs using classical motifs.
I was going to say is that I come from a rock background, but also I was super interested in jazz for a long time. I was training to be a jazz musician for quite a while. I never trained to be a classical composer or player, but I did train to play jazz.
People ask me to describe how I play, and the most obvious answer is that I'm a jazz influenced guitar player. But I'm not a jazz guitar player. Wes Montgomery was a jazz guitarist, Joe Pass was a jazz guitarist (laughs).
It's tough at first. You realize in the NBA, it's not easy. Each and every night, you're playing against that player that was the best high school player, that player that was the best player on his college team.
I'm not a classical player. I don't want to be a classical player. I love to improvise, because things happen that never happen anywhere else.
I have a lot of respect for Wenger. But a player needs playing time. And a coach has to put his faith in a player if he feels that he needs it.
I never really talked about being an NBA player or a college player. I just really like playing basketball.
I never really got that chance at Manchester City and developed into a utility player. Playing in all the positions has made me a better player because it's not easy to do that. Understanding the game has made me a more rounded player as well.
When I came to the States, I still wanted to be an electric guitar player. But moved to Santa Fe in '86. And just decided that nylon string guitar is really what I wanted to do... And that really change my life totally as well... And Santa Fe is one of those really unusual places that is such an interesting mix of culture. There is a lot of from restaurants to music... I remember one of the first groups I saw playing there in the back of a restaurant, was a banjo player, a classical violinist, and a flamenco guitarist. And I thought to myself, "What? You know, this is great."
You ask me: 'Was he a fair player?' I say: 'No, I'm sorry, for me he was not a fair player.' I just think I respect him highly as a quality player. I did not like some things he did on the football pitch and I have the right to say that. It's not because you are older, suddenly, that you are a saint.
Personally, I think young musicians need to learn to play more than one style. Jazz can only enhance the classical side, and classical can only enhance the jazz. I started out playing classical, because you have to have that as a foundation.
I don't like it when a player says, 'I like freedom; I want to play for myself.' Because the player has to understand he is part of a team with 10 other players. If everyone wants to be a jazz musician, it will be chaos. They will not be a team, and nothing will be possible.
It's a mutual respect, especially a player like Neymar, a player of a similar age to me and someone I've got massive respect for what he's done in world football.
There is no comparison between the two of them. The debate will always be there and you have to respect Cristiano. It would be foolish not to respect him. He is a great player. But whoever likes football will think Leo is the best.
As a piano player, if 10 is concert level, I'd put myself at a 5 or a 6, but in a completely different genre than classical or opera. In terms of classical and opera, playing accompaniment, I'd say I was a 3.
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