A Quote by Wes Montgomery

I got a standard box. I don't never want nothing special. Then if I drop my box, I can borrow somebody else's. — © Wes Montgomery
I got a standard box. I don't never want nothing special. Then if I drop my box, I can borrow somebody else's.
They are born, put in a box; they go home to live in a box; they study by ticking boxes; they go to what is called "work" in a box, where they sit in their cubicle box; they drive to the grocery store in a box to buy food in a box; they talk about thinking "outside the box"; and when they die they are put in a box.
My best friend from up the street, another really tough kid, we'd box every day after school, starting around 6th or 7th grade. We would go in the backyard, and we would slug out. We'd box until we got tired or until somebody quit. Other kids would come over, and they would want to box. Most of the time they didn't fare too well.
I like the fact that I like to think out-of-the-box. Thinking out-of-the-box goes along with dressing out-of-the-box and living out-of-the-box. If you want to come up with a really original design idea and you want to capture a whole new design direction, perhaps the best way to arrive at that is not by acting and thinking and doing like everybody else. That's all.
There's nothing wrong with starting off in a box, but you got to have a plan to come out that box.
I have never understood the saying 'To think outside the box.' Why would anyone sit inside of a box and then think outside of it. Rather just get out of the box.
We have four boxes with which to defend our freedom: the soap box, the ballot box, the jury box, and the cartridge box.
There are people who put their dreams in a little box and say, 'Yes, I've got dreams, of course I've got dreams.' Then they put the box away and bring it out once in awhile to look in it, and yep, they're still there. These are great dreams, but they never even get out of the box. It takes an uncommon amount of guts to put your dreams on the line, to hold them up and say, 'How good or how bad am I?' That's where courage comes in.
Educate your sons and daughters, send them to school, and show them that beside the cartridge box, the ballot box, and the jury box, you also have the knowledge box.
When somebody leaves Match.com or Chemistry.com, they ask you why you left. One box you can check is, 'I found somebody.' Between 15 and 20 percent of people check that box.
If you're intuitive and you have a desire for people to be happy and you want equilibrium and you want life to be good, then you'll worry. But we need to embrace the idea that, "No, I'm putting that aside, over there, in a box. I'll open that box when I wake up in the morning and deal with it then." I really find that men tend to do that, and it's great to be able to do.
I want to do things that are very outside of the box, and I want to do movies that no one else can do. If someone else can make the movie that I'm making, then I shouldn't do it.
I don't think blogs can make or break a candidate. I think they're going to be important to a certain degree. I think they can help somebody who's lesser known, somebody's who's lower down in the food chain politically. I think somebody like a Hillary Clinton doesn't necessarily need bloggers for people to know who she is and what she stands for. I think she's got all the - she's got a big enough soap box - a bigger soap box than she'll ever need that we could ever provide in the blog world.
It's a little scary when you - I got - I just got a box to my house for my birthday from this girl who writes - I mean it's a box of like - just like body lotions and stuff like this. And like this little box of dog toys in there. There's - you name it, candles, it's like this little box that she put together for my birthday. But she wrote in it and it came to my house.
In America, freedom and justice have always come from the ballot box, the jury box, and when that fails, the cartridge box.
A man's rights rest in three boxes: the ballot box, the jury box, and the cartridge box.
In the future, you won't buy artists' works; you'll buy software that makes original pieces of 'their' works, or that recreates their way of looking at things. You could buy a Shostakovich box, or you could buy a Brahms box. You might want some Shostakovich slow-movement-like music to be generated. So then you use that box.
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