A Quote by Wes Studi

I think that's every actor's dream, actually: to play lead parts. — © Wes Studi
I think that's every actor's dream, actually: to play lead parts.
I don't think I want to play title roles. I don't want to be the face on the poster. I don't want that pressure of having the success riding on my shoulders. I just want to play the most interesting parts. I actually think it's incredibly rare to get an interesting female character that is the lead in a film. Usually the character parts are so much more interesting to play.
I think every actor wants to play those big parts. In the very first play I ever did, I remember understanding all the characters in it. I always felt I could play anyone.
I think it's every actor's dream to play a character that's really odd, and you know no one wants to play himself.
Doing audiobooks is kind of an actor's dream because you get to play all the parts.
'Frida' was a joy; this was delicious, I couldn't wait every day to get to the set, although I was exhausted, and have my leg get cut off or lose the baby or be in her shoes and get to play my hero and be able to go places emotionally. You know, we live for parts like this. This is a dream for an actor.
As an actor, you most often play relatively average parts, so to get to play extreme versions of anything, those are the most exciting parts.
At my school, which was all boys, I played almost exclusively lady parts. When I say lady parts, I mean parts that were ladies. To actually play lady parts would be weird, even by English standards.
What you are is what you are, and I don't think you should ever fight it. But as an actor, I feel lucky to play different parts.
I have a lot of variety within me, and the dream role, I think, is actually a compilation of parts that express different aspects of my persona and personal interests.
I think it would be a dream for any actor to play someone like Changampuzha.
Every kid's dream is to play in the Champions League and to win it. To actually have achieved that was an amazing feeling.
I'm just naturally gravitating towards different things. As you mature, different subject matters. And as you're older, you can't play as many parts, or you shouldn't be playing the parts that you used to play. But also there's the opportunity to play parts that you couldn't have.
I think action, as a genre, is every actor's dream.
Every little girl's dream, every little boy's dream is to play at Wembley, so for a girl to do it and collect the 100th cap there was just a massive achievement. So, I think that's when it really hit me.
I think I'm always subconsciously trying to write the ideal school play. Lots of parts for everybody, great parts for women - don't forget, more girls try out than boys in the school play; everyone gets to be in the school play.
I think as an actor it's always a challenge to experiment and play something that you're not. What's the point if I play Shefali in every film?
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