A Quote by Wesley Morris

In movies, there are some things the French do that Americans are increasingly incapable of doing. One is honoring the complexities of youth. It's a quiet, difficult undertaking, requiring subtlety in a filmmaker and perception and patience from us.
Reverence is an attitude of honoring life. Reverence automatically brings forth patience. Reverence permits non-judgemental justice. Reverence is a perception of the soul.
French is, in many ways, more difficult for an English-speaking person to sing. It is so full of complex and trying vowels. It requires the utmost subtlety.
It is a law of nature that you must do difficult things to gain strength and power. As with working out, after a while you make the connection between doing difficult things and the benefits you get from doing them, and you come to look forward to doing these difficult things.
We spend so much of our lives not feeling but doing, doing, doing, and movies remind us that we are human. That life is all the things we see, and yet there is beauty there. There's a celebration of life and all of its intricacies. Movies are magnificent.
all the French speak French - even the children. Many Americans and Britishers who visit the country never quite adjust to this, and the idea persists that the natives speak the language just to show off or be difficult.
I'm so tired of the left trying to divide us by race. One of the things I said today in my speech, we're not Indian-Americans, African-Americans, Irish-Americans, rich Americans, poor Americans. We're all Americans.
Some people think elections are a game: who's up or who's down. It's about our country. It's about our kids' future. It's about all of us together. Some of us put ourselves out there and do this against some difficult odds. We do it, each one of us, against difficult odds. We do it because we care about our country. Some of us are right, and some of us are not. Some of us are ready, and some of us are not. Some of us know what we will do on day one, and some of us haven't thought that through.
I was just making movies to make movies. I was so full of anxiety about becoming a filmmaker that I kind of lost the idea of why I was doing it.
When Americans shoot movies they aim at the entire planet. When the French make movies, they aim at Paris.
When you've got kids, it's a big undertaking. It's like doing four movies in a row.
We should not bear it with bad grace if the answer to our prayer is long delayed. Rather, let us, because of this, show great patience and resignation. For He delays for this reason: that we may offer Him a fitting occasion of honoring us through His divine providence.
I wanted to really delve into the idea of reckoning with difficult things in one's past - and celebrating the joyful things, and honoring the stories that have made me who I am.
Americans and French are notoriously monolingual, especially earlier generations. Language is a sense of pride in both cultures. I think that the French and Americans are like brothers or sisters who are so similar that they irritate one another.
It's a common mistake for vacationing Americans to assume that everyone around them is French and therefore speaks no English whatsoever. [...] An experienced traveler could have told by looking at my shoes that I wasn't French. And even if I were French, it's not as if English is some mysterious tribal dialect spoken only by anthropologists and a small population of cannibals.
As the economy unravels, as hundreds of millions of Americans confront the fact that things will not get better, life for those targeted by this culture of hate will become increasingly difficult. Rational debate will prove useless.
I still have energy and some degree of youth, which is what a filmmaker needs.
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