A Quote by Wesley Morris
My favorite bad thing about 'Three Billboards' is its ambition to play around with America's ideological and geographical toys.
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America breeds ambition and while that can be a good thing, sometimes it's not. Ambition also breeds competition and that can be a very bad thing. People become chronically preoccupied with competing and don't know when to stop. It can become unhealthy.
I can go anywhere. In fact, for 'Three Billboards,' I was just getting on trains around America. I wrote everywhere from New York to New Mexico. I always write with pencil and paper.
I don't play with toys anymore. I mean, I do play with toys, but not like when I was a kid. I don't crash cars into each other, but now I collect certain toys.
You know what I did this morning? I played the voice of a toy. Some terrible robot toys from Japan that changed from one thing to another. The Japanese have funded a full-length animated cartoon about the doings of these toys, which is all bad outer-space stuff. I play a planet. I menace somebody called Something-or-other. Then I'm destroyed. My plan to destroy Whoever-it-is is thwarted and I tear myself apart on the screen.
Men are nuts. Young men are crazy. We all love toys. I'm toy oriented. I write about toys. I've got a lot of toys. Hundreds of things. But computers are toys, and men like to mess around with smart dumb things. They feel creative.
My favorite part about being a father is playing toys with them, or watching movies with them, really just playing around with them. They bring a lot of joy in to my life, even when I'm having a bad day. Just to come home and see them smiling brings so much joy to my life.
The street is the most impactful for me really, always, and the Internet. I guess I'd like to sell some more light pieces so I can rent some more billboards; that's my only ambition in life really. Then I'd like to save up some money so I can buy a very simple wooden house, and then after that I'd like to start buying billboards. I'd like to buy a bunch of billboards in different cities so we owned them and I could give them to Occupy to tell the truth with.
According to one critic, my works looked like scraped billboards. I went to look at the billboards and decided that more billboards should be scraped.
We have to play 'Livin' on a Prayer,' 'Bad Medicine.' We have to play them, and we want to play them, and that's what we're supposed to do. It's like going to see The Beatles and them not playing your favorite song. It's not the right thing to do.
Catch-22's admirers cross boundaries - ideological, generational, geographical.
I've done the bad-boy thing. It was fun for a good three months. But the thing about bad boys is, you have to keep in mind, you're never gonna marry a bad boy.
It [love about acting] is all about role playing - the same thing you do when you're a kid, when you play with dolls or toys and make up stories. I never grew out of it.
People used to play with toys. Now the toys play with them.
Well my favorite thing about being a mom is getting to relive your childhood all over again, that's one of my favorite things. And my favorite thing about being a wife? I have more freedom to just be crazy, because he's already stuck with me.
One thing I always tell players is that there are three bad things: Nothing good happens after midnight, nothing good happens when you're around guns unless you're going hunting, and you don't want to mess around with women that you don't know because a lot of times, bad things happen.
When Bill Clinton chose Al Gore in 1992 - from the same generational, ideological, and geographical background as his - it underscored his campaign's central argument that this was a clash between the past and the future, that 'Don't Stop Thinking About Tomorrow' was indeed the campaign's anthem.
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