A Quote by Wesley Morris
What about Hong Chau? In typical supporting-part fashion, she shows up halfway through 'Downsizing,' already shrunk, an imperious Vietnamese house cleaner with a limp and sharp angles. The movie's satirical cleverness upstages its rage; then Ms. Chau proves she's capable of managing both.
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Sometimes, the other characters are too normal and then you start to be brought back to reality but then Luna shows up and she is just so funny and cool and honest and slightly mad and she's all that matters. She is 100% true. She puts on no shows, because she is so comfortable with herself.
I met this girl who had a huge scar on her leg from a car accident. She was talking about how, after it first happened, she would always wear long pants and cover it up. But, as she started to grow into it, she decided that that's just her now. It's just a part of who she is. She wears skirts and she shows it off now.
I've been dying to do something with Ms. Patti LaBelle because she is so iconic. I grew up listening to her with my mom in the house. She is such a big inspiration to me.
Ahana does lots of things; that's the problem with her. She is a fashion designer and is also writing some scripts. She doesn't want to do the regular commercial films. So she has decided that only if she really likes something, then she will take it up.
While we were shooting the movie, we shot in the actual hotel in Hong Kong where it all went down, the Mira Hotel. Laura Poitras was coming to Hong Kong to do a screening of Citizenfour, and she ended up staying at the Mira Hotel. It was her first time back in Hong Kong, and I ran into her in the elevator. Literally I had just finished shooting one day, and I came back to the hotel and she was in the elevator.
She's sun and rain, she's fire and ice, a little crazy, but it's nice. And when she gets mad, you best leave her alone, cause she'll rage like a river then she'll beg you to forgive her.
I came to Hong Kong when I was five, but we didn't have any relatives in Hong Kong. My mom is a big movie fan, and she watched all kinds of movies, so when I was a kid, basically, we went to watch a movie every day.
Since most of 'Mean Girls' consists of the outsider Cady observing the tribal rites of her new setting and laying it all out in narration, this movie is just like home for the meticulous and ruthless deadpan that Ms. Fey has perfected for the satirical 'S.N.L.' newscast in which she and Jimmy Fallon are the anchors.
'Matilda' is my favorite movie of all time. It's so funny. It's about this girl who's so independent and smart, and she has to learn how to get through all these challenges she faces, and she gets through them all so well.
Cougars are all the rage! I'm so glad that Hollywood and America are embracing women when they get in their 40s instead of putting us out to pasture. That's when a woman's in her peak. That's when she's hot. She's already been through all of the junk. She's confident. Secure with who she is.
She goes where she pleases. She appears unhoped for, uncalled for. She moves through doors and walls and windows. Her thoughts move through minds. She enters dreams. She vanishes and is still there. She knows the future and sees through flesh. She is not afraid of anything.
We're talking about an extremely prolific poet and songwriter and lyricist. That stuff comes off the top of her head. She [Joni Mitchell] will write exactly what she lives. If she puts some money in the soda machine, she'll write about putting money in the soda machine. "Dry Cleaner from Des Moines," on the Shadows & Light album, was about sitting next to a dry cleaner from Des Moines, playing a slot machine.
Like I said before, I don't know how helpful Inez will be, " she explained. "She's very eccentric and controlled by her whims. If she likes you, she might tell you something. If she doesn't, well..." Ms. Terwilliger shrugged. "Then maybe we'll have time for photo ops." "Score," said Adrian. When I shot him a look, he added quickly, "But of course she'll like you.
Dickinson is my hero because she was a joker, because she would never explain, because as a poet she confronted pain, dread and death, and because she was capable of speaking of those matters with both levity and seriousness. She's my hero because she was a metaphysical adventurer.
She's a yellow pair of running shoes, a holey pair of jeans. She looks great in cheap sunglasses, she looks great in anything. She's, "I want a piece of chocolate cake; take me to a movie." She's a, "I can't find a thing to wear." Now and then she's moody. She's a Saturn with a sunroof with her brown hair blowing. She's a warm conversation I wouldn't miss for nothing. She's a fighter when she's mad and she's a lover when she's lovin'.
One thing about my mother is that she has her taste: She knows what she likes and what looks good. It's not studied. There is no insecurity in what she is going to wear, and I think that translates into effortlessness. Her career has been a steady rise, and it hasn't been about the fashion of the moment. It's been because she has kept to her style. She didn't go grunge when it was grunge, or 70's when it was 70's. It's about being secure with what you like and not worrying about what's in fashion that particular day. That's what I admire about her.
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