A Quote by Wesley Schultz
When I was a kid, award shows were super-interesting for me. But when I started making music, it was kind of hard to watch because I believed in what I was doing and yet knew I didn't really have a shot.
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When I was growing up, I wasn't in bands, and had really no intention of ever doing music. I went out to California for college, and kind of on a whim started making music really as a joke, and over the course of the next five years started playing a lot of shows, and music became this really integral part of my identity.
It was pop culture, entertainment, Hollywood, award shows - these are the things that really captivated me as a kid. I would watch the Oscars and every award show with my parents. I would make lists of who was going to win.
What interested me the most was that when I [traveled to Europe] I knew what Joseph Beuys was doing, he knew what I was doing, and we both, we just started to talk. How did I know what Daniel Buren was doing, and to an extent, he knew exactly what I was doing? How did everybody know? It's an interesting thing. I'm still fascinated by it because, why is it now, with the Internet and everything else, you get whole groups of artists who have chosen to be regional? They really are only with the people they went to school with.
The 'Work Hard, Play Hard' video shows how much a part of music the fans can really be. With the help of SanDisk, we were able to create the first-ever music video to be made using fan videos shot only from their mobile phones.
When I first started making music, I didn't really know what I was doing. I just wanted to write songs. I didn't have a concept. I didn't think it through. I was just flailing around doing what comes naturally. It took me a really long time to step back and deal with what I was doing with any kind of perspective or self-awareness.
I didn't really start doing stuff until I was 8 or so, but I was an extra in a bunch of different movies, and I just really took to it and really enjoyed it. I kind of bugged my parents to give L.A. a shot, and they were just super-supportive.
When I went to see certain shows when I was a kid, they changed my life. They made me tap into that place inside myself that I was unable to get to, so music is that tool, that bridge, and that's the kind of music I'm interested in making.
I love artists making cool music, regardless of the style.So, if a country artist making really cool music came along and asked me to work with them, I just might say yes, even though I'm not super-knowledgeable about country, like I am about hip-hop. I might do that because the idea is so interesting.
At a certain moment, when I started doing my own shows, I felt it would be really interesting to know what is the history of my profession. I realized that there was no book, which was kind of a shock.
I had placenta previa, which had me on bed rest for almost four to five months after the pregnancy. I just started putting on weight and falling into some kind of place in my head because it went from shows, award functions and a glamorous lifestyle to just not being able to handle what pregnancy was doing to me.
The thing is when I started doing standup, you had to have a clean act because that's how you got on television. There weren't all these cable shows. Also, I didn't want to have that kind of act in case my family came to see me or my kid one day.
Doing TV shows helps me a lot in my screenplay writing and filmmaking, especially since my TV shows are in different formats: comedy sketches, talk shows, debate programs, art variety shows, quiz shows. These enable me to meet interesting people with interesting stories and to learn about interesting subjects, all of which I can reflect into film.
I used to watch those syndicated, black-and-white Country Music Television shows from the '60s with my dad. And all of those people that played on our television set, they just felt like family to me. And I believed in my heart, as a little kid, that I would be doing that someday and I would know all those people and we would be friends.
We were so young when we started, quite naive and shy - we kind of knew what we were doing but didn't because we hadn't been stage schooled.
And that's why, when they want to get rid of anyone, they usually bring him down here (like they were doing with me) and say they'll leave him to the ghosts. But I always wondered if they didn't really drown 'em or cut their throats. I never quite believed in the ghosts. But those two cowards you've just shot believed all right. They were more scared of taking me to my death than I was of going.
What strikes me is that 'XIII' looks like a movie. The shot making is movie-like, which is kind of fun - the kind of playful action movie shot making is pretty, is pretty good. What's also great about this game is its style and interesting story-line.
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