A Quote by Wesley Snipes

Lot of the scripts I've been in with other non-white actors haven't been great. Lot of non-white actors ain't all that great. — © Wesley Snipes
Lot of the scripts I've been in with other non-white actors haven't been great. Lot of non-white actors ain't all that great.
I want to aspire to something like what Denzel Washington does, which is try to find scripts written for white actors - or Jodie Foster, who reads scripts for male actors.
The only question we should ask is, 'Are they good?' I've met great actors, black and white, and I've met bad actors, black and white.
I've been very fortunate, because I've cooked for a lot of actors and actresses and musicians. I've cooked for presidents and I've been to the White House.
I think all great actors - and I don't classify myself as one of them, incidentally - but I think all great actors listen well and I've learned that from a lot of the very good actors with whom I've worked - to really listen to what people say.
There are a lot of actors in the world, there's a small number that actually get to work as actors, and there is a tiny group of actors that are celebrated in the way that I have been. I feel incredibly lucky.
Actors, lots of times, are great when they have great parts. For me, a lot of times, it's been the part.
Are there differences between black actors’ opportunities and white actors’ opportunities? Yes, there are. It’s been said.
Are there differences between black actors' opportunities and white actors' opportunities? Yes, there are. It's been said.
There are some actors that are great stars and storytellers, but not necessarily good actors. I'm talking about some - not all - of the people you see in action flms or blockbusters. They're film stars, though not necessarily great actors. And there are those who are great actors, but not necessarily big film stars. Jim Sturgess is both. He's quite obviously a star, the audience likes him, he's a great storyteller and he turned out to be one of the greatest actors I've worked with as well.
There's a lot of great writing, and characters, and stories being told in television nowadays. And much more than there used to be. The opportunities to tell stories, because of the opportunities to show content. And so it's drawing actors from cinema, movie actors, actors to where there's a lot of opportunities to where you can tell stories.
There may have been great scripts, and perfect actors to fill the roles, but those pilot projects could be stopped at an earlier point. Now, damn near anything can get on the air, but who can get people to watch? There are a lot more choices, even if you get on the air.
What's great about New York is that there are a lot of theater actors and actresses, who are trained actors, that they bring onto the show. They're so talented, in such a weird, quirky and ominous way. And it's great to be able to work with new faces, too.
For me, a lot of these actors are new. For me, I only worked with Finn Whittrock and Michael Chiklis. So a lot of these actors are people I've been a huge fan of for years and are bucket-list actors for me to get to work with. It's pretty surreal now getting to step into scenes with them.You all get to find your characters together.
From my experience, I would say no: actors of East Asian descent don't get the opportunities white actors do. I know that's inherently a problem in a country that produces a lot of period drama, but I have to fight so hard to get parts that don't have something to do with China.
I think a lot of theater actors that were great, like Walken or Glenn Close, later became film actors.
Listen, I like great actors. You can be a movie star without being a great actor - this has been proved several times - and I like my casts to have great actors. Acting is more important to me than being a star.
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