A Quote by Wesley Strick

Granddaddy used to handle snakes in church. Granny drank strychnine. I guess you could say I had a leg up, genetically speaking. — © Wesley Strick
Granddaddy used to handle snakes in church. Granny drank strychnine. I guess you could say I had a leg up, genetically speaking.
I guess, when I go there in the centre, when I do my rehabilitation, I look at the people with only one leg and I actually envy them because I'd love to have one leg. I guess the ones that only have one leg, they envy the ones that they are only missing one leg below the knee, and on and on.
I used to go out wearing any old rubbish, no make-up, nothing, but since mobile phones, that has all had to stop. People do come up to you so often and say hello, or want a photograph, and I just can't do it anymore in what I used to wear. They don't want to be seen hanging off a rabid old granny any more than I do.
I never really had stage nerves but I did have had trouble getting up to the right energy level. For a long time I drank. I drank up until 1982 and then I gave up alcohol.
When I moved into making sculpture, I could handle steel the way it had been handled in the technological revolution. I could use it the way bridge builders used it; I could use it the way they used it in industry and building and not the way it had been used in art.
I'm, I guess you could say, the Chinese-speaking, banjo-picking girl.
When I was a kid I had an imaginary friend and I used to think that he went everywhere with me, and that I could talk to him and that he could hear me, and that he could grant me wishes and stuff. And then I grew up, and I stopped going to church.
If I had a formula for bypassing trouble, I wouldn't pass it around. Wouldn't be doing anybody a favor. Trouble creates a capacity to handle it. I don't say embrace trouble. That's as bad as treating it as an enemy. But I do say, meet it as a friend, for you'll see a lot of it and had better be on speaking terms with it.
I did mega-training with ex-military men. I'd be in the gym for two hours after a 12-hour day on Spooks, and it was so hardcore I'd throw up. I stuffed myself with food and drank protein shakes to bulk up. I used to be a dancer, but I had to strap my weak ankles every day and strengthen my wrists so I could hold a machine gun. My body just wasn't up to it.
I guess you could say I have grown up, matured. I have seen a lot, and I guess that probably sums it up.
I remember having my father stand over me when I had driven over my own foot; one leg was out of the car and one leg was in the car. He looked at me and told me that I was a drunk and that he was ashamed to call me his son. That night, I stopped drinking and I never drank again; I was twenty four.
I grew up in so much church: English-speaking church, Korean church.
(T)here was a story they used to tell at home about a girl whose punishment was that every time she opened her mouth, snakes and toads came out, snakes and toads with every word. The book didn't say what she did about it, but I've always assumed she probably ended up keeping her mouth shut.
There is an Indian fable of three beings who drank from a river: one was a god, and he drank ambrosia; one was a man, and he drank water; and one was a demon, and he drank filth. What you get is a function of your own consciousness.
I drank to be funny, or sexy. I drank because I was afraid or happy or sad, and I drank for anything that required emotional commitment. ... I had chosen a profession that thrives on insecurity, and is never far from some source of social intercourse that involves alcohol or drugs.
Still I had a lurking question. Would it not be better if one could really 'see' whether molecules as complicated as the sterols, or strychnine were just as experiment suggested?
Today the separation of church and state in America is used to silence the church. When Christians speak out on issues, the hue and cry from the humanist state and media is that Christians, an all religions, are prohibited from speaking since there is a separation of church and state.
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