A Quote by Westbrook Pegler

I must not mix champage, whiskey, and gin. (Repeated fifty times to fill column.) — © Westbrook Pegler
I must not mix champage, whiskey, and gin. (Repeated fifty times to fill column.)
Writing a column, a weekly column for the New York Times, is really tough, and I wasn't prepared for the demands that that involved.
When people say, "I've told you fifty times," They mean to scold, and very often do; When poets say, "I've written fifty rhymes," They make you dread that they'll recite them too; In gangs of fifty, thieves commit their crimes; At fifty love for love is rare, 't is true, but then, no doubt, it equally as true is, a good deal may be bought for fifty Louis.
Politicians and music don't mix. It's like whiskey and wine.
Part of her doing suicide intervention is my caseworker has to mix me another gin and tonic.
Understand: you are one of a kind. Your character traits are a kind of chemical mix that will never be repeated in history. There are ideas unique to you, a specific rhythm and perspective that are your strengths, not your weaknesses. You must not be afraid of your uniqueness and you must care less and less what people think of you.
I look up the telephone number of Alcoholics Anonymous. Then, my hands shaking, I open the bar and drink the leftover whiskey, gin and vermouth-whatever I can lay my shaking hands on.
The advantages of whiskey over dogs are legion. Whiskey does not need to be periodically wormed, it does not need to be fed, it never requires a special kennel, it has no toenails to be clipped or coat to be stripped. Whiskey sits quietly in its special nook until you want it. True, whiskey has a nasty habit of running out, but then so does a dog.
Colm Feore. Newspaper column, Norwegian water. Column of steel, column of virtue, just for God's sake, Colm.
A weekly column is not always a treat. It can be a tyranny. There are times when I have very little to say. There are times, every year, when I am weighed down with depression. At these times it takes days of slog to force the words on to the page.
I had written a lot about my dog dying before. I wrote a newspaper column about it and it turned out to be the most popular column I'd ever written. That and the lame Joni Mitchell column I did. But the dog column, my god! People love dogs. Anybody who writes regularly should know, when in doubt: dogs! If you're a columnist, when in doubt, write a column about the culture of narcissism - like a scolding column about the culture of narcissism - or write something about dogs. That's the homerun in my take.
When I did get married, and specifically after I got married and the New York Times style section featured my wedding in the vows column, which is really traditionally kind of seen as an elitist column, and it is, but I was happy to be in it. I thought it was good that they were covering a feminist wedding.
Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.
I had a column for the 'Seattle Weekly' for five years, and there was one column that was called 'How To Be A Man,' and it was kind of tongue in cheek; it was really tongue in cheek. And I got a book deal from that column.
It had run as a column - I had worked at the paper since 1976, but the column had been running for 13 years, and I think it was a strong column, criticizing the war when the paper was supporting it.
There is no such thing as bad whiskey. Some whiskeys just happen to be better than others. But a man shouldn't fool with booze until he's fifty; then he's a damn fool if he doesn't.
So I submit to you that what we represent is a Fifth Column, a Fifth Column that represents the best aspirations that human community is capable of, a Fifth Column that is willing to look at the structure of the psyche in contrast to the mess of society, and willing to dream.
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