A Quote by Weyes Blood

A lot of my family members were performers, and my cousins are comedians and actresses. From a very young age, movies were really important. They were given a lot of value.
I didn't have a fraternity-like experience. I mean, I grew up with an older brother and a lot of male cousins and we were very physical with each other. We were very rambunctious when we were kids. But I never thought much - nor did I have reason to think much - about institutionalized hazing. But I think there's a reason young men are drawn to it.
When I was a kid, a lot of my parents' friends were in the music business. In the late '60s and early '70s - all the way through the '70s, actually - a lot of the bands that were around had kids at a very young age. So they were all working on that concept way early on. And I figured if they can do it, I could do it, too.
I loved cinema from a very young age. I was also obsessed with Hitchcock and actresses like Kim Novak in Vertigo. They all played heroines and were strong, powerful women, yet they were very feminine.
Just from my own experience, a lot of the comedians I used to work with were miserable in their actual lives. I think you need to be able to see a lot of negative in things in order to extract material, so there's probably something to that. A lot of the people I used to work with were very, very, very unfunny offstage, so that's a pretty common thing.
You saw a lot of guys, especially in the early '90s, whose acts were a pitch for a sitcom. A lot of them were very funny, but there's nothing worse than watching comedians or musicians who are up there and are doing something they're not interested in.
When I see a lot of young faces in the audience, it's just sort of sinking in how important that is. Because you're old enough now to identify them very strongly as being young - whereas before, of course they were young, because you were young. Now it's not like that.
I've always been very talkative, very chatty, quite hyperactive. I grew up with a lot of cousins, and most of them were boys. Four in particular and I were the demolition squad. Havoc.
I did an Off-Broadway show that was a comedy written by Ann Meara. We were like a family, and we did that show for a year. On Oz, I did feel like the cast members were friends and there was a lot of bonding. That said, there was a lot of testosterone. Once again, it was full of really intense theater actors with this writing that was really intricate and subtle.
I was a woman and younger. I started spending a lot of time in the mall doing a lot of qualitative research and really watching what consumers were doing. Were they gravitating towards the sales racks, or were they looking at the new fashions? Were they there to shop, or were they there to socialize?
There were a lot of things in it that were important at the time to me. Cutter's Way movie was very relevant. And I wanted Cutter to succeed as a vet, as a guy coming back from 'Nam, because there were so many guys like that. And there were so many other movies at the time, like Apocalypse Now, Coming Home, and The Deer Hunter, that it was really important that the movie be believable, that I come across a pissed-off vet who'd been there and comes home angry.
I was born in Earl K. Long Hospital. I was born Feb. 5th, 1986. I have a lot of family members. My grandmother had five girls, and all of them had children. It was always a house full. A lot of cousins. A lot of family members.
My children came out as individuals in their own right. They were not my products. They had their own characters and were very strong-minded. I gave them a lot of freedom when they were still very young. The one thing they got from me is morals. They would never betray anyone. They are really good people.
I've come to realize how much it really was a part of my upbringing, the Georgia part. We were away from town. It was just dirt and trees and spouses. And a lot of kids - my cousins, who were all like brothers and sisters to me - just a lot of kids at one time.
I talk a lot about the men in my family because my mother died when I was little, and my grandmother died when my aunts were little, so we didn't have those kinds of heads of household. But all the members of our household who were female were sort of living as equal and as wise as the male figures in our family.
I grew up in Queens in N.Y., and in parts of my neighbourhood, there were a lot of Italian Americans and a lot of people who were either affiliated with nefarious people or had seen so many movies that they were embodying that.
I'm a veteran, and I come from a family of veterans and people who served in that war. And the stories that I heard were a hell of a lot different than the movies that I was seeing, so I wanted to make a movie about the people that were really there.
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