A Quote by Weyes Blood
I had this instrument that I built in high school. It was a huge, six-foot-long stringed instrument, and I started playing with that amplified and singing through power electronic stuff. I played those shows, and it would blow the lid off of everybody, and everybody would flip out.
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The basic idea of a hyper instrument is where the technology is built right into the instrument so that the instrument knows how its being played - literally what the expression is, what the meaning is, what the direction of the music is.
I got my first instrument for Christmas when I was three or four years old. My parents got me a mandolin because it was the only instrument that would fit me because I was so small. I went straight from that into the drums when I was six, and then I started playing guitar when I was seven or eight.
Singing instrumental music is most important because, while you play an instrument, you are singing through the instrument... actually, you are singing inside.
To me, all guitar players can play, because I know they're getting to where they're at. It's a very hard instrument to accept, because it takes years to start working with it, that's first, and it looks like everybody else is moving on the instrument but you. Then when you find a cat that's really playing, you always find that he's been playing a long time, you can't get around it.
In oddball places, the electric guitar has been taken as an almost alien object - this weird, six-stringed instrument that fell down to earth and was then played loud but with traditional grace and intelligence
When we first started out we only had five or six songs we could play live, so if we ever got an encore, we used to do our cover of City High's 'What Would You Do?' We'd be playing it and people's mouths would be moving singing all the words, but they'd be thinking, Where is this song from? It's such a brilliant pop song but the lyrics are so dark.
I just started playing guitar and started singing and started working on this act that I would call 'Don McLean' when I was probably in high school.
When I was a kid. I never really had luck with the ladies my early years in high school. Then I started singing and I found that helped, so I would go in the talent show every year. It was always some female singer that would go up there and blast out some Celine Dion classic and just blow me away.
I started playing music around 13 or 14, played jazz in high school, and played other stuff in college. After college, I tried to make it as a musician. I lived in a big squalid house full of dudes outside of Boston. We were all musicians. We built this studio in the basement and played there all hours of the day.
The very funny thing about "Like A Rolling Stone" is it was a six minute song, there was no music to read from. And there I was playing this unfamiliar instrument. So I would come in on the upbeat of one. I would wait until the band played the chord, and then as quickly as I could come in play the chord.
I got my first instrument at Christmas when I was three or four. My dad and mom got me a mandolin. It was the only instrument that fit me because I was so small. I went straight from that into drums when I was six and then started playing guitar when I was seven or eight.
When I first started to blow up, everybody thought I was rich. Everybody started asking for stuff. My friends started becoming fans. Even my teachers began to act like fans.
The guitar is such an incredible instrument; it plays classical, flamenco, jazz, country, bluegrass, rock, acid, blues. You'll never see a clarinet playing Black Sabbath. But you will see a guitar in a clarinet band playing rhythm. It is the most popular instrument in the world; it is the one everybody loves.
I had a jazz trio, a rock n' roll band, and I played drums in junior high, high school, college, big bands, and I played timpani in the symphony. I am a drummer. It's the one instrument I actually play pretty well. It's just hard to carry on your back.
When I write a song and come up with an arrangement and a vocal part, it's always a challenge trying to find a singer who can interpret it sort of the way that I hear it, and it's a very difficult thing to do. I mean, singing is like playing an instrument - everybody does it a little bit different - singing maybe even more so.
When I went to school, you had to take art, you had to play an instrument. You had to play an instrument. But it's all degraded since then. I do not know what kind of nation we are that is cutting art, music, and gym out of the public-school curriculum.
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