A Quote by Whitey Herzog
The way we have been playing, I might tell my players not to cross the picket line (umpire strike of 1979).
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The picket line is the best place to train organizers. One day on the picket line is where a man makes his commitment. The longer on the picket line, the stronger the commitment. A lot of workers think they make their commitment by walking off the job when nobody sees them. But you get a guy to walk off the field when his boss is watching and, in front of the other guys, throw down his tools and march right to the picket line, that is the guy who makes our strike. The picket line is a beautiful thing because it makes a man more human.
My dad was a miner at South Kirkby colliery. He went on strike but he didn't go to the picket line, he just put his feet up and got in my mum's way.
If an umpire misses a called third strike and the other side ends up scoring because of it, I'm not going to forget it. If there are runners on second and third and two out, and if the umpire has just given the hitter an extra strike and the next pitch goes into the hole and both runs score, I've got to say something to the guy.
I think of shock as kind of an uptown form of surprise. Comedy is filled with surprise, so when I cross a line... I like to find out where the line might be and then cross it deliberately, and then make the audience happy about crossing the line with me.
My first and only experience in baseball, the coach signed me up; he didn't tell me there's a thing called the curveball. I didn't know that. So the ball's coming at me and I start backing out, and then it broke inside. And the umpire says, 'Strike one!' And I'm saying, 'How is that a strike? It almost hit me!'
I don't ever cross the line. I step right up to it. I put my toes on the line, but I don't ever cross that line. There are some barriers you just don't cross - you don't talk about religion; you don't talk about race. Those are lines I will never cross.
There's a line, players usually don't cross it and coaches usually don't cross it. Every once in a while you get a little temper tantrum on both sides, I certainly have had 'em. I'm not proud of those.
I remember the Chillicothe ballplayers grappling the Long Island ball players in a sixteen-inning game ended by darkness. And the shoulders of the Chillicothe players were a red smoke against the sundown and the shoulders of the Rock Island players were a yellow smoke against the sundown. And the umpire's voice was hoarse calling balls and strikes and outs and the umpire's throat fought in the dust for a song.
I have a basic theorem as to how I do my jokes. Growing up, I knew when to cross the line and when not to cross the line. It's the same with my comedy. I know what my audience will take and how much they won't take. I can't give you a formula for it. It's my own personal formula inside my head. Somebody else's might be different.
Professional managers, coaches, and players have a right to question an umpire's decision if they do it in a professional manner. When they become personal, profane, or violent, they have crossed the line and must be dealt with accordingly.
I think once you meet me, you realize I'm not necessarily some soft yoga guy. I've been on the picket line. I've been in the union halls. I'll drink a Miller Lite with you.
In the last year I have gained a lot of experience because I have been playing against top players and realized what things to work on to get better. Top players basically tell you what your weaknesses are on the court.
Being the first to cross the finish line makes you a winner in only one phase of life. It's what you do after you cross the line that really counts.
Most professional players are their own biggest critics. Some of the things you read in the papers that strike you as bang out of order will already have been thought by the players themselves
Most professional players are their own biggest critics. Some of the things you read in the papers that strike you as bang out of order will already have been thought by the players themselves.
I'm not aware of a cadence when writing, but I hear it after. I write in longhand, and that helps. You're closer to it, and you have to cross things out. You put a line through it, but it's still there. You might need it. When you erase a line on a computer, it's gone forever.
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