A Quote by Whitey Herzog
The only way to make money as a manager is to win in one place, get fired and hired somewhere else.
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I proceeded to prove everybody right as to how bad an economics student I was by failing as an assistant manager in every theatre I went to that hired me, both as an assistant manager and as an actor. I lost money and tickets, and I couldn't keep track of anything. So eventually they fired me from assistant-manager jobs, but kept me on as an actor.
We always imagine that there's got to be somewhere else better than where we are right now; this is the Great Somewhere Else we all carry around in our heads. We believe Somewhere Else is out there for us if only we could find it. But there's no Somewhere Else. Everything is right here...Make this your paradise or make this your hell. The choice is entirely yours. Really.
People from other teams want to play in St. Louis and they're jealous that we're in St. Louis because the fans are unbelievable. So why would you want to leave a place like St. Louis to go somewhere else and make $3 or $4 more million a year? It's not about the money. I already got my money. It's about winning and that's it. It's about accomplishing my goal and my goal is to try to win. If this organization shifts the other way then I have to go the other way.
In this business, if you lose, you're gonna get fired. Now, if you win, you still may get fired. That's the hard part. You see guys having success and getting fired. That's really tough to watch.
When it comes to money, you can't win. If you focus on making it, you're materialistic. If you try to but don't make any, you're a loser. If you make a lot and keep it, you're a miser. If you make it and spend it, you're a spendthrift. If you don't care about making it, you're unambitious. If you make a lot and still have it when you die, you're a fool-for trying to take it with you. The only way to really win with money is to hold it loosely-and be generous with it to accomplish things of value.
If you don't win, you're going to be fired. If you do win, you've only put off the day you're going to be fired.
I remember, I was at the house with my oldest son and I got that call from Johnny Ace. You know that call. Johnny was the guy that hired me, fired me and hired me back, which was kind of cool. But I was just fired, everything stopped, my whole world stopped.
As people know in coaching, you can get fired and hired just like that.
Film scores are complicated puzzles that you need to figure out and solve very quickly, or else you're basically fired. You're hired to enhance the film and you only have a couple tries to prove that you are capable of that task. I can keep trying to enhance my album ad infinitum.
Man, there's another freedom out there, and it comes from somewhere else, and that somewhere else is the place I'm interested in.
When you play professionally, you get accustomed to turnover. Players come and go - they get injured, they get transferred, they get cut from the team. Coaches are hired, and coaches are fired. It's just part of the world you live in.
We can't win at home. We can't win on the road. As general manager, I just can't figure out where else to play.
People don't own teams to lose money. If you ask any owner whether they would rather make $20 million and come in last place or lose $20 million and win a World Series, there's only one guy who honestly would take that championship: George Steinbrenner. Nobody else.
Nothing is a calling card. Everything is what you do. If you do it in order to get somewhere else, you're not actually doing it. If you're thinking, 'What is the weird thing I want to make with my friends?' money and other things will come later.
The first thing you have to get when you play somebody iconic is you have to get lucky. More than anything else, you have to make a leap of faith and know that somewhere, the net will appear, and you'll find your way.
About 1990 there was a huge shakeup in the music industry and the 6 major record companies fired all the music people and hired business graduates to take over the spots. So the music became not as important. What really became important was the bottom line, how much money you could make.
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