A Quote by Whitley Strieber

I felt an absolutely indescribable sense of menace. It was hell on earth to be there [in the presence of the entities], and yet I couldn't move, couldn't cry out, couldn't get away. I'd lay as still as death, suffering inner agonies. Whatever was there seemed so monstrously ugly, so filthy and dark and sinister. Of course they were demons. They had to be. And they were here and I couldn't get away.
For him it was a dark passage which led to nowhere, then to nowhere, then again to nowhere, once again to nowhere, always and forever to nowhere, heavy on the elbows in the earth to nowhere, dark, never any end to nowhere, hung on all time always to unknowing nowhere, this time and again for always to nowhere, now not to be borne once again always and to nowhere, now beyond all bearing up, up, up and into nowhere, suddenly, scaldingly, holdingly all nowhere gone and time absolutely still and they were both there, time having stopped and he felt the earth move out and away from under them.
We were young, we were wild, we were restless Had to go, had to fly, had to get away Took a chance on that feelin' We were lovin' blind borderline wreckless We were livin' for the minute we were spinnin' in Baby we were alot of things, but we weren't crazy
Nobody will protect you from your suffering. You can't cry it away or eat it away or starve it away or walk it away or punch it away or even therapy it away. It's just there, and you have to survive it. You have to endure it. You have to live through it and love it and move on and be better for it and run as far as you can in the direction of your best and happiest dreams across the bridge that was built by your own desire to heal.
I realised those things my ego needed - fame and success - were going to make me terribly unhappy. So I wrenched myself away from that. I had to. I had to walk away from America and say goodbye to the biggest part of my career because I knew, otherwise, my demons would get the better of me.
[Sasha] for me it was a dream. I got to tell everybody where to go and how fast to get there. It was very exciting. It was still an Aaron Spelling show, with the hair and make-up and everything, but there were also motorcycles. For my life, at that time, it was such a perfect thing. I had all this inner anger to get out, and it was so exciting to get paid to do it. She had anger and sexuality and rebellion, but there was still that very sweet core. I didn't have to be something entirely unrecognizable or un-relatable. I just loved her to death.
A voice had begun to sing. It was very far away and Digory found it hard to decide from what direction it was coming. Sometimes it seemed to come from all directions at once. Sometimes he almost thought it was coming out of the earth beneath them. Its lower notes were deep enough to be the voice of the earth herself. There were no words. It was hardly a tune. But it was beyond comparison, the most beautiful sound he had ever heard.
I think that's always been part of the thinking behind the script, that - and I really tried really hard to impress that upon the staff of the show, the animation staff - to try to get them to understand that we would only be able to get away with what we were writing if the visuals were appealing enough that it was like a balance, and even people who didn't like what they were hearing would still not want to turn away because what they were seeing was so nice. So that was kind of my hunch, and I think it worked.
It felt as if things were literally slipping through my fingers. Things were just streaming away from me. I lost my sense of humor. I'm still looking for that.
He takes out a cigarette and offers one to me. "I try not to indulge. It's a filthy habit," I tell him. "I love that word filthy. I love the way you force it out of your mouth like it's some kind of vermin you want to get rid of." "You've had vermin in your mouth?" "You're mean in that way, you know. You don't let anyone get away with pathetic analogies.
Even heaven would become hell if you were alone in it, or away from a loved one. And even if you were with your loved one, but in hell, eventually you would cry to have you and your loved one together in heaven. So to create your own heaven on earth, make sure you and your loved one are in a place you both LOVE, because what could be heaven for one, could be hell for the other.
After about midday my dad sent cars from his private collection for us. We were told to get in. We had almost lost contact with my father and brothers because things had got out of hand. I saw with my own eyes the [Iraqi] army withdrawing and the terrified faces of the Iraqi soldiers who, unfortunately, were running away and looking around them. Missiles were falling on my left and my right - they were not more than fifty or one hundred metres away. We moved in small cars. I had a gun between my feet just in case.
I felt like I could get away with calling it Black Hours. That could easily be the most depressing record ever written, but because there is this sense of fun throughout the whole thing I felt like I could get away with it. Like "5 A.M."; that song's in a minor key and I'm just wailing away and it could have been just wallowing depression, but it's not.
You get kinder when you get into my age range. You think back to how really unkind you were, and how cynical you were and how you tossed things away and you tossed people away, and you didn't care because you were climbing some mountain that you thought you needed to be on top of.
The torments of hell abide for ever.... If all the earth and sea were sand, and every thousandth year a bird should come, and take away one grain of this sand, it would be a long time ere that vast heap of sand were emptied; yet, if after all that time the damned may come out of hell, there were some hope; but this word EVER breaks the heart.
When ordinary people wake up, elites begin to tremble in their boots. They can't get away with their abuse. They can't get away with subjection. They can't get away with subjugation. They can't get away with exploitation. They can't get away with domination. It takes courage for folk to stand up.
It was more work than it seemed, looking through a telescope, as the Earth was continually moving and you had to move along with it. You don't realize how fast this acutally happens, and it's kind of both creepy and wonderful when you stop to think about it. And it makes you realize there's absolutely no way to avoid change. You can sit there and cross your arms and refuse it, but underneath you, things are still spinning away.
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