A Quote by Whitney Cummings
I wasn't one of those kids who stole Richard Pryor records. I wasn't a comedy-nerd kid. I had no concept of stand-up. Actually, the only inkling of stand-up I had was I read one of Paul Reiser's books when I was, like, 12. I found it at a yard sale, and I carried it around with me for six years.
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I just like to build. Don't get me wrong: I think stand-up is great, and when someone like Richard Pryor or Steve Martin does stand-up, there's nothing better in the world. But I don't want to watch a lot of stand-ups for two hours. So I can do 45 minutes of stand-up and then say, 'Can we do something else now?'
My first time on TV doing stand-up, I actually did this show in Holland called 'The Comedy Factory' hosted by Jorgen Raymann. It was in 2006 in Holland. It was amazing. I had only been doing stand-up for four years, and I booked that gig through the Just For Laughs Montreal festival, and they flew me out and put me up.
I've always loved American stand-up. Richard Pryor is one of the main reasons I got into stand-up. After Pryor, I made my way through the other great American comics, then finally got into the British ones over here.
Stand-up is not just an American thing anymore. It's global. In some places, stand-up comedy is brand new. South Africa has only had a scene for 15 years.
I love edgy comedy. 'Coming to America' still gets me and 'Friday.' I watch old Richard Pryor stand-up on VHS, too.
I opened up for Richard Pryor in 1992. I had a conversation with him. All those other comedians can say what they want about what they did, but I opened up for the man. Paul Mooney and I are probably the only ones that can say that.
I used to do stand-up, actually. I had a ten-minute routine I did for a thing called 'Stand Up for Labour' where we'd go around different seats and use comedy to raise money. I stopped doing this routine when I started running for mayor.
Yeah, I mean, I did regular stand-up for a long time. And I did - I stopped doing stand-up when I worked on 'Ellen,' which was for five years. So when I went back to it, I found that, like, regular stand-up didn't really do it for me anymore. It almost felt insincere, like I wasn't saying anything I actually really wanted to say.
In stand-up, you do need to be having fun up there, like Richard Pryor said, but you have to know yourself well, too... You start learning, and it's like playing a piano. You know exactly what keys to stroke, 'cause really, with comedy, you're, like, fiddling with people's souls.
I suffered years of criticism. But there was a point in my life where I had to stand up and say: 'I don't care what anybody says about me. I have to stand up for my family, for the four children I had with Bob and the eight he had with other women.'
[Televised stand-up] never really makes me laugh. The only one I ever saw that I liked was Richard Pryor, and that was [shot on] film.
When I read 'Stand By Me,' it was like, 'This is a look back at the same time period when I was growing up, and it was about kids, but it really felt like what it was like to have those powerful feelings of friendship at age 12.' That's what got to me.
I did stand-up for a good number of years while I was still living in New York, and those people primarily knew me as 'the kid stand-up.'
I was not one of those people who wanted to be a comedian when I was growing up. I liked comedy, but didn't know it was something you could do for a living. I actually wanted to be an attorney. I did do things on the side like improv and sketch comedy, but law was my focus. I was a very bookish, academic kid. When I got out of college, I was really unhappy. I had a great job that I should have loved, yet I was miserable. I slowly realized that was because I wasn't performing. So I just tried stand-up and fell in love with it after one performance.
When I was growing up, I had more comedy albums than musical ones. George Carlin, Cheech and Chong, Steve Martin, Richard Pryor - those were my main men.
Richard Pryor is my favorite stand-up ever.
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