A Quote by Whoopi Goldberg

When I started, I knew I didn't fit any visual that anyone was going to lie down and take their clothes off about. Work doesn't come to me; I go out and look for it. — © Whoopi Goldberg
When I started, I knew I didn't fit any visual that anyone was going to lie down and take their clothes off about. Work doesn't come to me; I go out and look for it.
Obviously, when I came to do the movie I knew that I was going to have to take my clothes off so I might have worked a little bit harder to keep myself fit. But I think that's the irony of it - you see all these fit and healthy people, and I'm not making any comments on it, but everybody deep down is a f**k up somewhere.
Don't think I am going to let Bob Hoskins take all his clothes off and me not take a look? I just had a quick look up and down, like you would.
I was nervous about playing a lead part in a Working Title romantic comedy and I was also nervous about the fact that I not only had to take my clothes off, but get my willy out. There's certain things you can do to make yourself look better, but there's nothing you can do about your willy. Your willy is your willy and no amount of working out is going to make your willy look any different. You get what you're given. But I wanted to look my best and to whip myself into any semblance of handsomeness. And that was hard going.
It's funny because every time I go to a shoot, and I have clothes on, they inevitably come off. I just did one recently and the stylist was like, "So..." and you just know that they are going to get to the point where they say "Can you take your clothes off?"
The advice I would give to any photographer - young, old or in-between - is to explore anything visual because this is, after all, how you express your artistry. Look at paintings, movies, drawings, sculptures - look at anything visual and try to integrate that into your visual sense. After that, go out and take pictures and keep on taking pictures!
I used to live at the Cecil Hotel, which was next door to Minton's [Playhouse]. We used to jam just about every night when we were off. Lester [Young], Don Byas and myself - we would meet there all the time and like, exchange ideas. It wasn't a battle, or anything. We were all friends. Most of the guys around then knew where I lived. If someone came in Minton's and started to play - well, they'd give me a ring, or come up and call me down. Either I'd take my horn down, or I'd go down and listen. Those were good days. Had a lot of fun then.
If I start to go around and look for stuff that's being written about me or about the band, chances are I'm not going to find what I'm looking for or what I'd want to be hearing. If I go out and look for it and it's out there, I'm really going to notice when it's not. And I'd hate to think that that would impact any decisions I'm making.
If you saw me with my clothes off you'd see that my body is in great shape and ready to take on the world.... I could snap my fingers and have any man I wanted, but I have too much respect for myself for that.... People can look then wonder about the taste and the sensuous delights of the dish, but when it comes down to it they simply can't afford such an expensive luxury.
Jean-Luc Godard saw me in a commercial. He first asked me to play a little part in 'Breathless' of a girl who is taking her clothes off. I said, 'No, I don't want to take my clothes off.' But he called me again for 'Le Petit Soldat.' He said it was a political film, so I didn't have to take my clothes off at all.
Growing up on a farm, I saw that if I didn't go to the military or go to school, and I knew my mom and my family wasn't going to be able to send me to school out of their pocket, so it basically came down to athletics. I knew I didn't want to work on a farm. I knew I didn't want to do manual labor the rest of my life.
[A fan] said, 'What can I do to get your attention?' I was like 'Um, just take your clothes off.' She stood there and frantically started taking her clothes off and got dragged out of the room by security.
Normal? What's that?" "How you really look." "Can you take off all your clothes?" Okay weirdest thing ever-I just asked myself to take off all my clothes. It doesn't get much creepier. "Why on earth would I do that?" "You asked me to be naked; I thought it was only fair.
You come to work knowing you're going to do good work without any doubt. You can go where you need to go and nothing is wrong and you pick the rightnesses out. If something doesn't work, you let them go, but you don't hold onto those wrongnesses. You just hold onto the rightnesses, so it's a playing field that anyone would want and feel much more comfortable with.
Come here and take off your clothes and with them every single worry you have ever carried. My fingertips on your back will be the last thing you will feel before sleeping and the sound of my smile will be the alarm clock to you morning ears. Come here and take off your clothes and with them the weight of every yesterday that snuck atop your shoulders and declared them home. My whispers will be the soundtrack to your secret dreams and my hand the anchor to the life you will open your eyes to. Come here and take off your clothes.
Suddenly, I realized how tough trying to structure a story like this is. It was a lot of work. The one big advantage that we had was that we had eight scripts written before we started shooting, or even started casting. We had a really good opportunity to look at it and figure out where we were going to go and how to do it. Once we got a cast, which I love, then we started doing some revisions to make sure that they fit into it.
Puma was a great fit for me. Obviously, they were looking for someone that was going to fit their brand, and I was looking to wear stuff that was going to fit me and not where I was going to go out and just blend in with everyone else. So it's been a great fit.
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