A Quote by Wilfrid Sheed
I rail against writers who talk about the loneliness of it all — what do they want, a crowd looking over their typewriters? Or those who talk about having to stare at a blank page — do they want someone to write on it?
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In the end, I am quite normal. I don't have odd habits. I don't dramatize. Above all, I do not romanticize the act of writing. I don't talk about the anguish I suffer in creating. I do not have a fear of the blank page, writer's block, all those things that we hear about writers.
If you want to talk about grace, if you want to talk about revelation, talk about your life with some depth, which doesn't mean lurid revelations as much as simply looking at your own deep experiences and describing them as they are.
The bad news is that Iran wants to talk about everything except their nuclear program. They want to talk about regional cooperation, they want to talk about the sanctions issues, and it seems like the western powers want to talk about nothing more than the nuclear issue.
The President wants to talk about a terrorist named bin Laden. I don't want to talk about bin Laden. I want to talk about a terrorist called Christopher Columbus. I want to talk about a terrorist called George Washington. I want to talk about a terrorist called Rudy Giuliani. The real terrorists have always been the United Snakes of America.
Some directors hand over portions of their movie to their head of department to the point where it's like, "I'm not going to talk to you about the costumes, but I'm going to let you talk to the expert." Rather than, "You want to talk stitching, let's talk stitching. You want to talk grade of leather? Let's."
We want to bring the kids, the parents, the grandparents and grandkids together, we want them to have a shared viewing experience. We want the kids to talk about it in the playground, dad to talk about it down the pub, grandma to talk about it while she's out shopping.
It's the biggest thing in the world in many ways, football. People don't want to talk about politics. They don't want to talk about religion. They want to talk about football - wherever you go.
On the contrary, it's because somebody knows something about it that we can't talk about physics . It's the things that nobody knows anything about that we can discuss. We can talk about the weather; we can talk about social problems; we can talk about psychology; we can talk about international finance gold transfers we can't talk about, because those are understood so it's the subject that nobody knows anything about that we can all talk about!
When I talk football with my friends, I don't talk about Tom Brady's hair. I talk about how he handles the blitz, or how he runs his offense. I talk as a fan. I don't want pink jerseys, and I don't want dumbed-down content. I want to be treated as a real fan - because I am proud to be one.
When I'm working, I want to be the best. But when I'm out, I don't want to watch games. I don't want to talk with everybody about football. I want to talk about life - about anything else.
I want to highlight once again that when we talk about the fight against terrorism and the circles around it and when we talk about ensuring the safety and the peace of all, we are not talking about fantasies.
Older people say, 'Oh I loved you in 'Sense and Sensibility,'' and that's the only film they want to talk about. Equally, there are people who only want to talk about 'Galaxy Quest.' And there's a whole bunch of teenagers who only want to talk about 'Dogma.'
Older people say, 'Oh I loved you in 'Sense and Sensibility,' and that's the only film they want to talk about. Equally, there are people who only want to talk about 'Galaxy Quest.' And there's a whole bunch of teenagers who only want to talk about 'Dogma.'
One thing I knew about the novelist’s task: when in doubt, write; when empty, write; when afraid, write. Nothing is more impenetrable than the blank page. The blank page is the void, the absence of sense and feeling, the white light of literary death.
I never just want to talk about the good things that happen to me, or just about the bad things. I want to talk about all the experiences I'm having on a daily basis.
I have a general feeling that writers and artists who are in this peculiar situation, of being a persecuted artist, all anyone ever asks about is the persecution. It may well be that's the last thing in the world they want to talk about. There were many years in which every journalist in the world wanted to talk to me, but nobody wanted to talk to me about my work. That felt deeply frustrating because I felt there was an attempt to stifle me as an artist. The best revenge I could have was to write.
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