A Quote by Wilfrid Sheed

How does one make a movie about decadence these days? Now that we're allowed to do it, it's too late. — © Wilfrid Sheed
How does one make a movie about decadence these days? Now that we're allowed to do it, it's too late.
I have tried," I said, "but he does not believe me. It is too late for that now" (it is always too late for truth, I thought).
Too late, too late, juice pouring does not a kind soul make, and I killed you.
How to make a scary movie human, take a movie like Sinister. How can I make that guy so real so that the scary elements of it are more scary and it functions as a genre movie - as the way it's supposed to, you want to hear a ghost story at midnight, that's a good one - but how do you fill it up with humanity inside, in staying true to the genre? You know? Does that make sense?
I feel like everybody's waiting for a job y'know, you can make a movie on your phone. And so there really is no reason to worry about how to get in with people- and you can do that, there's a lot to learn working for people -but you can just make a movie, where in the old days that was completely impossible.
Life is insanely robust, though we can make species go extinct, and this is the bad thing. So I always make the point that you can't say, 'Is it too late?' That is the terrible question, because either answer promotes inaction. If it's too late, you don't need to act; if it's not too late, you don't need to act.
They used to ask: "How will this decision that we make today affect our people in the future?" Now we make decisions based on: "How does it affect me, now? How does it affect the next shareholders meeting, three months ahead? How does it affect my next political campaign?"
It's too late. It was too late by the time I arrived in London to turn your notebook into a dove; there were too many people already involved. Anything either of us does has an effect on everyone here, on every patron who walks through those gates. Hundreds if not thousands of people. All flies in a spiderweb that was spun when I was six years old and now I can barely move for fear of losing someone else.
But it was too late now. A lifetime too late. A million wishes too late.
'Red Planet' was a tough movie to make, and I learned a lot about myself. To me, that's a lot more interesting than how a movie does.
Never say you are too old. You do not say it now, perhaps; but by and by, when the hair grows gray and the eyes grow dim and the young despair comes to curse the old age, you will say, "It is too late for me." Never too late! Never too old! How old are you--thirty, fifty, eighty? What is that in immortality? We are but children.
It's not the side-effects of the cocaine - I'm thinking that it must be love. It's too late to be grateful, It's too late to be hateful, It's too late to be late again, The European cannon is here.
It was too late for happiness - but not too late to be helped by the thought of what I had missed. That is all I haved lived on - don't take it from me now
I think overall, making a movie is like putting a stamp on the world. Every time I make a movie, I feed in elements to make sure that it's my movie. I'm marking poles like a dog does. This is how I show my movies to the world.
That’s why you have to write your book right now, if that’s what you want to do. If you wait until you have the time, and the security, you might not want to do it. You’re in a race against your own enthusiasm. Don’t put it off because someone told you it’s never too late. That’s the worst lie. It’s never too late today, but it’s often too late tomorrow.
People don't talk about how hard it is to make a movie. Nobody does. Ever.
It was too late - everything was too late. For years now he had dreamed the world away, basing his decisions upon emotions unstable as water.
This site uses cookies to ensure you get the best experience. More info...
Got it!