A Quote by Wilfried Zaha
Me going to a big club when I was, like, 19 or 20, I didn't know what to expect, how to behave, whatever. I was just a youngster who wanted to do tricks. I didn't even care about end product, really.
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I literally make music for my wife and my friends. I don't feel beholden to my fans. I don't even really know who they are. But, I know that this whole thing started with me making stuff that I got off on, and I've gotta believe that that's how it's going to end, too. That's the only way it can go. There are a lot of artists who have gotten pretty caught up in that. That's why I like the defeatist attitude. Just assume that no one is going to like it and that no one cares, and you'll end up making something that you really like.
I think there's this great disconnect between youth culture and politics, which is a product of how our capitalist system works. I mean, a lot of the kids I know are really politically involved. They really care about politics. I think we're going to have an incredible impact on how politics end up shaking this country.
I used to love watching that programme '19 Kids And Counting' and I thought I might just keep going and have 19 kids myself. I had these big plans to home-school them all and I even wanted to be a surrogate as well.
I really like supernatural stories, but, to me, 'Witches of East End' is really grounded. It's not just going for the magic tricks and keeping it superficial and action-y.
Some guys are just very, very interested in their sport and their predecessors. I know I was a guy like that when I was a young coach. I wanted to know about George Halas, I wanted to know about Jim Lee Howell, guys you don't even know. I wanted to know what they were like. So I read whatever I could get my hands on.
The funny thing about commercials to me is that many of them now don't even mention the product until the very end. You don't really know what the commercial is all about. They're kind of like little movies, like shorts, and that's why I think they're so entertaining.
The only thing I know is that no one ever sat in a therapist's or a psychiatrist's room saying, 'My parents just loved me too much.' The only thing you can do is love them and be around. Kids don't really care what your car is like or how big their house is. All they really care about is that you are around.
One thing I'll say about Drake is that he never talks about me about going to any schools. I know people think that, but he has never done that. He just talks to me about how I'm dealing with life and things like that. He's like a big bro and I really appreciate that about him.
I have all my tricks to unplugging. Sometimes I just close my eyes and I breathe a couple of times, even if I'm in the middle of a conversation. It centers me. Dancing also helps me to unplug, so does writing music. I really enjoy going to Central Park and Upstate New York, when I really want to unplug from the city. Going to the library is great, too. There's just a nice equality about libraries, there's everyone from kids to senior citizens to students, it's a nice environment. I grab whatever book I feel attracted to and then I just sit there and read it for a little while.
September 11 definitely opened our eyes, but when I was 19 or whatever on the last record, we just didn't care about anything. We were too young to care about anything. And then as you get older, you don't really have any excuse to be stupid anymore, to be in the dark. That just kind of opened everyone's eyes (which I probably wish it did to more people) that there's obviously something wrong, to try and figure out what it is and what's going on in the world.
When I started in the league, I went to a tailor and told him I wanted long t-shirts. But they were like, "You know, you don't know what the trend is." I was like, "Look dog, I don't care about trends or your fashion sense. If I'm going to pay you money, this is where the shirt is going to end."
Fame will take care of itself. One thing I've learned about fame is that, hey, you can't control it. You don't know how you're going to be received or perceived when you step out of a car, when you arrive some place. And you never really know how big something is going to get, so you have to set some standards for yourself, and just abide by those.
I learned from Jimi Hendrix. They all wanted him to do the tricks, and at the end of his career, he just wanted to play. I lived longer than he did, and I can see how those pressures can really play with your head.
At 16, 19, 20, you're just kinda going along with whatever's happening. You're not as proactive as you become when you're older. And particularly, something like fame that's happening so quickly - the requests are coming so quickly for you to do interviews or photo shoots, or you're getting work opportunities or whatever, it's happening so fast.
And even when I was 18, 19, 20 in college, I did a couple of plays in the drama society, I didn't want to play the lead, I just wanted two lines, and I didn't want to be there because I didn't like it.
It's too hard to make a movie if you don't care about what happens to it, or even what the product is. I can't even imagine that. It's not worth the time and effort if you don't care about the product.
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