A Quote by Wilkie Collins

Except in this ignorant and material century, men have always worn precious stuffs and beautiful colours as well as women. — © Wilkie Collins
Except in this ignorant and material century, men have always worn precious stuffs and beautiful colours as well as women.
Fine colour implies a unified relationship, in which each part is subordinate to the whole, and the transitions between them are felt to be as precious and beautiful as the colours themselves. In fact, the colours themselves must be continuously modified and broken as part of the transition.
Youth is beautiful; its friendship is precious; the intercourse with it is a purifying release from the worn and stained harness of older life.
Innumerable entirely new compounds have been produced in the last century. The artificial dye-stuffs, prepared from materials occurring in coal-tar, make the natural colours blush. Saccharin, which is hundreds of times sweeter than sugar, is a purely artificial substance. New explosives, drugs, alloys, photographic substances, essences, scents, solvents, and detergents are being poured out in a continuous stream.
To my taste, the men in Rome are ridiculously, hurtfully, stupidly beautiful. More beautiful even than Roman women, to be honest. Italian men are beautiful in the same way as French women, which is to say-- no detail spared in the quest for perfection. They’re like show poodles. Sometimes they look so good I want to applaud.
Women are beautiful when they're young, and not after. Men can still preserve their sex appeal well into old age.... Some men can maintain, if they embrace it ... cragginess, weary masculinity. Women just get old and fat and wrinkly.
Beautiful women are always drawn to men they think will keep them beautiful.
The element of heroic maleness had always been present in the concept of the artist as one who rides the winged horse above the clouds beyond the sight of lesser men, a concept seldom applied to those who worked with colours until the nineteenth century. When the inevitable question is asked, "Why are there no great women artists?" it is this dimension of art that is implied. The askers know little of art, but they know the seven wonders of the painting world.
To be ignorant and to be deceived are two different things. To be ignorant is to be a slave of the world. To be deceived is to be the slave of another man. The question will always be: Why, when all men are ignorant, and therefore already slaves, does this latter slavery sting us so?
In assembling this group of portraits of women, I'm aware that I'm treading on dangerous ground. When I was in college, I learned to be distrustful of men's depictions of women. I remember seeing Garry Winogrand's book Women Are Beautiful in the school library and being shocked that it hadn't been defaced for its blatant objectification of women. But looking back, maybe I was too harsh. Whether one photographs men or women, it is always a form of objectification. Whatever you say about Winogrand, his depiction was honest.
Men view life to be as precious as women do, and to say that men have a more violent nature is insulting to men.
Plain women know more about men than beautiful ones do. But beautiful women don't need to know about men. It's the men who have to know about beautiful women.
I truly believe that a beautiful woman is a beautiful woman, but a beautiful woman with a brain is an absolutely lethal combination. Women of integrity, depth, sensuality and strength have always been my source of inspiration, the reason for what I do and how I got to where I am today. They are all my muse. If my quest, in what I do - to make women look and feel beautiful - reflects even a tiny fraction of my deep-rooted respect for them, and succeeds in celebrating these lives of strength and substance, then I will consider it a job well done.
Our culture is hung up on and overemphasises what can be derived from material objects. I think this is something quite new, over the past 200 or 300 years - that life has become about accumulating material wealth. The 21st century is not about accumulating material wealth like the 20th century. It's already eroding.
For he was aware of the great secret of life: Women don't look for handsome men. Women look for men who have had beautiful women. Having an ugly mistress is therefore a fatal mistake.
It was this feminine conspiracy which made Southern society so pleasant. Women knew that a land where men were contented, uncontradicted ans safe in possession of unpunctured vanity was likely to be a very pleasant place for women to live. So, from the cradle to the grave, women strove to make men pleased with themselves, and the satisfied men repaid lavishly with gallantry and adoration. In fact, men willingly gave ladies everything in the world except credit for having intelligence.
To confound the tyranny of man there should exist for a century a third sex, both male and female, and stronger than men. This new sex would prove with the lash that men as well as women are made for its pleasure; and then you would hear men protesting against the tyranny of the hermaphrodite sex and admitting that strength should not be the sole rule of right. Just why do they refuse to grant the women the independence which they would demand from the third sex?
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